Name	Boston
Settlement type	City
Image seal	Seal of Boston.svg
Nickname	Beantown, The Hub (of the Universe), The Cradle of Liberty, The Cradle of Modern America, The Athens of America, The Walking City
Motto	'' Sicut patribus sit Deus nobis '' (Latin "As God was with our fathers, so may He be with us")
Map caption	Location in Suffolk County, Massachusetts
Coordinates display	displayinline,title
Pushpin map	USA2
Pushpin label position	left
Pushpin map caption	Location in the United States
Coordinates region	US-MA
Subdivision type	Country
Subdivision name	:United States
Subdivision type1	State
Subdivision name1	Massachusetts
Subdivision type2	County
Subdivision name2	Suffolk
Established title	Settled
Established date	September 17, 1630
Established title2	Incorporated (city)
Established date2	March 4, 1822
Government type	Strong mayor – council
Leader title	Mayor
Leader name	Thomas M. Menino (D)
Area footnotes
Unit pref	US
Area magnitude	1 E+8
Area total sq mi	89.63
Area total km2	232.14
Area land sq mi	48.43
Area land km2	125.43
Area water sq mi	41.21
Area water km2	106.73
Area urban sq mi	1774
Area urban km2	4595
Area metro sq mi	4511
Area metro km2	11683
Area blank1 title	CSA
Area blank1 sq mi	10644
Area blank1 km2	27568
Elevation ft	141
Population as of
Population total	617594 ('10 census)
Population density sq mi	12752
Population density km2	4924
Population urban	4032484 ('00 census)
Population metro	4522858 ('08 est.)
Population blank1 title	CSA
Population blank1	7609358 ('09 est.)
Population blank2 title	Demonym
Population blank2	Bostonian
Timezone	EST
Utc offset	-5
Timezone dst	EDT
Utc offset dst	-4
Postal code type	ZIP code(s)
Postal code	|02108–02137, 02163, 02196, 02199, 02201, 02203, 02204, 02205, 02206, 02210, 02211, 02212, 02215, 02217, 02222, 02228, 02241, 02266, 02283, 02284, 02293, 02295, 02297, 02298}}

|area_code = 617 and 857 |blank_name = FIPS code |blank_info = 25-07000 |blank1_name = GNIS feature ID |blank1_info = 0617565 |website = www.cityofboston.gov }}

Boston (pronounced ) is the capital of and largest city in Massachusetts, and is one of the oldest cities in the United States. The largest city in New England, Boston is regarded as the unofficial "Capital of New England" for its economic and cultural impact on the entire New England region. The city proper had a population of 617,594 according to the 2010 U.S. Census. Boston is also the anchor of a substantially larger metropolitan area called Greater Boston, home to 4.5 million people and the tenth-largest metropolitan area in the country. Greater Boston as a commuting region includes six Massachusetts counties: Essex, Middlesex, Norfolk, Suffolk, Plymouth, Worcester, northern Bristol County, all of Rhode Island and parts of New Hampshire; it is home to 7.6 million people, making it the fifth-largest Combined Statistical Area in the United States.

In 1630, Puritan colonists from England founded the city on the Shawmut Peninsula. During the late 18th century, Boston was the location of several major events during the American Revolution, including the Boston Massacre and the Boston Tea Party. Several early battles of the American Revolution, such as the Battle of Bunker Hill and the Siege of Boston, occurred within the city and surrounding areas. Through land reclamation and municipal annexation, Boston has expanded beyond the peninsula. After American independence was attained Boston became a major shipping port and manufacturing center, and its rich history now helps attract many tourists, with Faneuil Hall alone attracting over 20 million every year. The city was the site of several firsts, including America's first public school, Boston Latin School (1635), and the first subway system in the United States (1897).

With many colleges and universities within the city and surrounding area, Boston is an international center of higher education and a center for medicine. The city's economy is also based on research, electronics, engineering, finance, and high technology—principally biotechnology. As a result, the city is a leading finance center, ranking 12th in the Z/Yen top 20 Global Financial Centers. The city was also ranked number one for innovation, both globally and in North America, for a variety of reasons. Boston has been experiencing gentrification, and has one of the highest costs of living in the United States, though it remains high on world livability rankings, ranking third in the US and 37th globally.

History

Boston was founded on September 17, 1630, by Puritan colonists from England. The Puritans of the Massachusetts Bay Colony are sometimes confused with the Pilgrims, who founded Plymouth Colony ten years earlier in what is today Bristol County, Plymouth County, and Barnstable County, Massachusetts. The two groups, which differed in religious practice, are historically distinct. The separate colonies were not united until the formation of the Province of Massachusetts Bay in 1691.

The Shawmut Peninsula was connected to the mainland by a narrow isthmus and was surrounded by the waters of Massachusetts Bay and the Back Bay, an estuary of the Charles River. Several prehistoric Native American archaeological sites that were excavated in the city have shown that the peninsula was inhabited as early as 5000 BC. Boston's early European settlers first called the area ''Trimountaine'', but later renamed the town after Boston, Lincolnshire, England, from which several prominent colonists had emigrated. Massachusetts Bay Colony's original governor, John Winthrop, gave a famous sermon entitled "A Model of Christian Charity", popularly known as the "City on a Hill" sermon, which espoused the idea that Boston had a special covenant with God. (Winthrop also led the signing of the Cambridge Agreement, which is regarded as a key founding document of the city.) Puritan ethics molded a stable and well-structured society in Boston. For example, shortly after Boston's settlement, Puritans founded America's first public school, Boston Latin School (1635). Over the next 130 years, Boston participated in four French and Indian Wars, until the British defeated the French and their native allies in North America. Boston was the largest town in British North America until Philadelphia grew larger in the mid-18th century.

In the 1770s, British attempts to exert more-stringent control on the thirteen colonies—primarily via taxation—led to the American Revolution. The Boston Massacre, the Boston Tea Party, and several early battles—including the Battle of Lexington and Concord, the Battle of Bunker Hill, and the Siege of Boston—occurred in or near the city. During this period, Paul Revere made his famous midnight ride. After the Revolution, Boston had become one of the world's wealthiest international trading ports because of the city's consolidated seafaring tradition. Exports included rum, fish, salt, and tobacco. During this era, descendants of old Boston families were regarded as the nation's social and cultural elites; they were later dubbed the ''Boston Brahmins''.

The Embargo Act of 1807, adopted during the Napoleonic Wars, and the War of 1812 significantly curtailed Boston's harbor activity. Although foreign trade returned after these hostilities, Boston's merchants had found alternatives for their capital investments in the interim. Manufacturing became an important component of the city's economy, and by the mid-19th century, the city's industrial manufacturing overtook international trade in economic importance. Until the early 20th century, Boston remained one of the nation's largest manufacturing centers and was notable for its garment production and leather-goods industries. A network of small rivers bordering the city and connecting it to the surrounding region made for easy shipment of goods and led to a proliferation of mills and factories. Later, a dense network of railroads facilitated the region's industry and commerce. From the mid-19th to late 19th century, Boston flourished culturally. It became renowned for its rarefied literary culture and lavish artistic patronage. It also became a center of the abolitionist movement. The city reacted strongly to the Fugitive Slave Law of 1850, which contributed to President Franklin Pierce's attempt to make an example of Boston after the Burns Fugitive Slave Case.

In 1822, the citizens of Boston voted to change the official name from "the Town of Boston" to "the City of Boston", and on March 4, 1822, the people of Boston accepted the charter incorporating the City. At the time Boston was chartered as a city, the population was about 46,226, while the area of the city was only . In the 1820s, Boston's population began to swell, and the city's ethnic composition changed dramatically with the first wave of European immigrants. Irish immigrants dominated the first wave of newcomers during this period. By 1850, about 35,000 Irish lived in Boston. In the latter half of the 19th century, the city saw increasing numbers of Irish, Germans, Lebanese, Syrians, French Canadians, and Russian and Polish Jews settle in the city. By the end of the 19th century, Boston's core neighborhoods had become enclaves of ethnically distinct immigrants—Italians inhabited the North End, Irish dominated South Boston and Charlestown, and Russian Jews lived in the West End. Irish and Italian immigrants brought with them Roman Catholicism. Currently, Catholics make up Boston's largest religious community, and since the early 20th century, the Irish have played a major role in Boston politics—prominent figures include the Kennedys, Tip O'Neill, and John F. Fitzgerald.

Between 1631 and 1890, the city tripled its physical size by land reclamation—by filling in marshes, mud flats, and gaps between wharves along the waterfront —a process that Walter Muir Whitehill called "cutting down the hills to fill the coves". The largest reclamation efforts took place during the 19th century. Beginning in 1807, the crown of Beacon Hill was used to fill in a 50-acre (20 ha) mill pond that later became the Haymarket Square area. The present-day State House sits atop this lowered Beacon Hill. Reclamation projects in the middle of the century created significant parts of the South End, the West End, the Financial District, and Chinatown. After The Great Boston Fire of 1872, workers used building rubble as landfill along the downtown waterfront. During the mid-to-late 19th century, workers filled almost 600 acres (2.4 km²) of brackish Charles River marshlands west of Boston Common with gravel brought by rail from the hills of Needham Heights. Also, the city annexed the adjacent towns of South Boston (1804), East Boston (1836), Roxbury (1868), Dorchester (including present day Mattapan and a portion of South Boston) (1870), Brighton (including present day Allston) (1874), West Roxbury (including present day Jamaica Plain and Roslindale) (1874), Charlestown (1874), and Hyde Park (1912). Other proposals, for the annexation of Brookline, Cambridge, and Chelsea, have been unsuccessful.

By the early and mid-20th century, the city was in decline as factories became old and obsolete, and businesses moved out of the region for cheaper labor elsewhere. Boston responded by initiating various urban renewal projects under the direction of the Boston Redevelopment Authority (BRA), which was established in 1957. In 1958, BRA initiated a project to improve the historic West End neighborhood. Extensive demolition was met with vociferous public opposition. BRA subsequently reevaluated its approach to urban renewal in its future projects, including the construction of Government Center. In 1965, the first Community Health Center in the United States opened, the Columbia Point Health Center, in the Dorchester neighborhood. It mostly served the massive Columbia Point public housing complex adjoining it, which was built in 1953. The health center is still in operation and was rededicated in 1990 as the Geiger-Gibson Community Health Center.

By the 1970s, the city's economy boomed after 30 years of economic downturn. A large number of high rises were constructed in the Financial District and in Boston's Back Bay during this time period. This boom continued into the mid-1980s and later began again. Boston now has the second largest skyline in the Northeast (after New York) in terms of the number of buildings reaching a height of over . Hospitals such as Massachusetts General Hospital, Beth Israel Deaconess Medical Center, and Brigham and Women's Hospital lead the nation in medical innovation and patient care. Schools such as Boston University, the Harvard Medical School, Northeastern University, Wentworth Institute of Technology and Boston Conservatory attract students to the area. Nevertheless, the city experienced conflict starting in 1974 over desegregation busing, which resulted in unrest and violence around public schools throughout the mid-1970s. In 1984, the City of Boston gave control of the Columbia Point public housing complex to a private developer, who redeveloped and revitalized the property from its rundown and dangerous state into an attractive residential mixed-income community called Harbor Point Apartments, which opened in 1988 and was completed by 1990. It was the first federal housing project to be converted to private, mixed-income housing in the United States, and served as a model for the federal HUD HOPE VI public housing revitalization program that began in 1992.

In the early 21st century, the city has become an intellectual, technological, and political center. It has, however, experienced a loss of regional institutions, which included the acquisition of ''The Boston Globe'' by ''The New York Times'', and the loss to mergers and acquisitions of local financial institutions such as FleetBoston Financial, which was acquired by Charlotte-based Bank of America in 2004. Boston-based department stores Jordan Marsh and Filene's have both been merged into the New York–based Macy's. Boston has also experienced gentrification in the latter half of the 20th century, with housing prices increasing sharply since the 1990s. Living expenses have risen, and Boston has one of the highest costs of living in the United States, and was ranked the 99th most expensive major city in the world in a 2008 survey of 143 cities. Despite cost of living issues, Boston ranks high on livability ratings, ranking 37th worldwide in quality of living in 2010 in a survey of 221 major cities.

Geography

Owing to its early founding, Boston is very compact. According to the United States Census Bureau, the city has a total area of 89.6 square miles (232.1 km²)—48.4 square miles (125.4 km²) (54.0%) of land and 41.2 square miles (106.7 km²) (46.0%) of water. Boston is the country's third most densely populated city that is not a part of a larger city's metropolitan area. This is largely attributable to the rarity of annexation by New England towns. Of United States cities with more than 600,000 people, only San Francisco is smaller in land area. Boston is surrounded by the "Greater Boston" region and is bordered by the cities and towns of Winthrop, Revere, Chelsea, Everett, Somerville, Cambridge, Watertown, Newton, Brookline, Needham, Dedham, Canton, Milton, and Quincy. The Charles River separates Boston proper from Cambridge, Watertown, and the neighborhood of Charlestown. To the east lies Boston Harbor and the Boston Harbor Islands National Recreation Area (BHINRA). This includes part of the city's territory, specifically Calf Island, Gallops Island, Great Brewster Island, Green Island, Little Brewster Island, Little Calf Island, Long Island, Lovells Island, Middle Brewster Island, Nixes Mate, Outer Brewster Island, Rainsford Island, Shag Rocks, Spectacle Island, The Graves, and Thompson Island. The Neponset River forms the boundary between Boston's southern neighborhoods and the city of Quincy and the town of Milton. The Mystic River separates Charlestown from Chelsea and Everett, and Chelsea Creek and Boston Harbor separate East Boston from Boston proper. Boston's official elevation, as measured at Logan International Airport, is 19 ft (5.8 m) above sea level. The highest point in Boston is Bellevue Hill at 330 ft (101 m) above sea level, and the lowest point is at sea level. Boston is the only state capital in the contiguous United States with an ocean coastline.

Much of the Back Bay and South End neighborhoods are built on reclaimed land—all of the earth from two of Boston's three original hills, the "Trimountain", was used as landfill material. Pemberton Hill, which would become Pemberton Square in the Government Center neighborhood, and Mount Vernon, were leveled completely. Only Beacon Hill—the smallest of the three original hills—remains partially intact; only half of its height was cut down for landfill. Tremont Street is named after the three hills. The downtown area and immediate surroundings consist mostly of low-rise brick or stone buildings, with many older buildings in the Federal style. Several of these buildings mix in with modern high-rises, notably in the Financial District, Government Center, the South Boston waterfront, and Back Bay, which includes many prominent landmarks such as the Boston Public Library, Christian Science Center, Copley Square, Newbury Street, and New England's two tallest buildings—the John Hancock Tower and the Prudential Center.

Near the John Hancock Tower is the old John Hancock Building with its prominent weather forecast beacon—the color of the illuminated light gives an indication of weather to come: "steady blue, clear view; flashing blue, clouds are due; steady red, rain ahead; flashing red, snow instead". (In the summer, flashing red indicates instead that a Red Sox game has been rained out.) Smaller commercial areas are interspersed among single-family homes and wooden/brick multi-family row houses. Currently, the South End Historic District remains the largest surviving contiguous Victorian-era neighborhood in the U.S. Along with downtown, the geography of South Boston was particularly impacted by the Central Artery/Tunnel (CA/T) Project (or the "Big Dig"). The unstable reclaimed land in South Boston posed special problems for the project's tunnels. In the downtown area, the CA/T Project allowed for the removal of the unsightly elevated Central Artery and the incorporation of new green spaces and open areas.

thumb|right|Boston Common seen from the Prudential Skywalk Observatory, an observation deck on the 50th floor of the Prudential Tower Boston Common, located near the Financial District and Beacon Hill, is the oldest public park in the United States. Along with the adjacent Boston Public Garden, it is part of the Emerald Necklace, a string of parks designed by Frederick Law Olmsted to encircle the city. Jamaica Pond, part of the Emerald Necklace, is the largest body of freshwater in the city. Franklin Park, which is also part of the Emerald Necklace, is the city's largest park and houses the Franklin Park Zoo. Another major park is the Esplanade, located along the banks of the Charles River. The Hatch Shell, an outdoor concert venue, is located adjacent to the Charles River Esplanade. Other parks are scattered throughout the city, with the major parks and beaches located near Castle Island (not part of the BHINRA, and now connected to the mainland); in Charlestown; and along the Dorchester, South Boston, and East Boston shorelines.

Neighborhoods

Boston is sometimes called a "city of neighborhoods" because of the profusion of diverse subsections. There are 21 official neighborhoods in Boston used by the city. These neighborhoods include: Allston/Brighton, Back Bay, Bay Village, Beacon Hill, Charlestown, Chinatown/Leather District, Dorchester, Downtown/Financial District, East Boston, Fenway/Kenmore, Hyde Park, Jamaica Plain, Mattapan, Mission Hill, North End, Roslindale, Roxbury, South Boston, South End, West End, and West Roxbury.

Climate

Boston has a climate that is continental in nature but with maritime influences owing to its coastal location, a phenomenon common to coastal southern New England. The climate is classified as a humid continental climate (Koppen ''Dfa'', ''Cfa'' respectively). Summers are typically warm, rainy, and humid, while winters are cold, windy, and snowy. Spring and fall are usually mild, but conditions are widely varied, depending on wind direction and jet stream positioning. Prevailing wind patterns that blow offshore affect Boston, minimizing the influence of the Atlantic Ocean.

The hottest month is July, with a mean temperature of . The coldest month is January, with a mean of . Periods exceeding in summer and below in winter are not uncommon but rarely extended, with about 14 days per year seeing the former extreme, and the most recent subzero reading occurring on January 24, 2011. Extremes have ranged from , recorded on February 9, 1934 and July 4, 1911, respectively.

Boston's coastal location on the North Atlantic, although it moderates temperatures, also makes the city very prone to Nor'easter weather systems that can produce much snow and rain. The city averages of precipitation a year, with of snowfall a year. Snowfall increases dramatically as one goes inland away from the city (especially north and west of the city)—away from the warming influence of the ocean. Most snowfall occurs from December through March. There is usually little or no snow in April and November, and snow is rare in May and October.

Fog is prevalent, particularly in spring and early summer, and the occasional tropical storm or hurricane can threaten the region, especially in early autumn. Due to its situation along the North Atlantic, the city is often subjected to sea breeze, especially in the late spring, when water temperatures are still quite cold and temperatures at the coast can be more than colder than a few miles inland, sometimes dropping by that amount near midday. From May to September, the city experiences thunderstorms that are occasionally severe; large hail, damaging winds and heavy downpours accompany such severe events. Although downtown Boston has never been struck by a violent tornado, the city itself has seen its fair share of tornado warnings, but damaging storms are more common to areas north, west, and northwest of the city.

Demographics

According to the 2000 United States Census, there were 589,141 people, 239,528 households, and 115,212 families residing in the city. When including the Greater Boston region, rather than just the city itself, the total is approximately 4.5 million. Boston's population density was 12,166 people per square mile (4,697/km²). There were 251,935 housing units at an average density of 5,203 per square mile (2,009/km²). The 2010 U.S. Census population count for the city was 617,594, a 4.8% increase over 2000. During weekdays, the population of Boston can grow during the daytime to over 1.2 million, and can reach as many as 2 million during special events. This fluctuation of people is caused by hundreds of thousands of suburban residents who travel to the city for work, education, health care, and special events.

In the city, the population was spread out with 19.8% under the age of 18, 16.2% from 18 to 24, 35.8% from 25 to 44, 17.8% from 45 to 64, and 10.4% who were 65 years of age or older. The median age was 31 years. For every 100 females, there were 92.8 males. For every 100 females age 18 and over, there were 90.2 males. There were 239,528 households, of which 22.7% had children under the age of 18 living in them, 27.4% were married couples living together, 16.4% had a female householder with no husband present, and 51.9% were non-families. 37.1% of all households were made up of individuals and 9.1% had someone living alone who was 65 years of age or older. The average household size was 2.31 and the average family size was 3.17.

The median income for a household in the city was $39,629, and the median income for a family was $44,151. Males had a median income of $37,435 versus $32,421 for females. The per capita income for the city was $23,353. 19.5% of the population and 15.3% of families are below the poverty line. Of the total population, 25.6% of those under the age of 18 and 18.2% of those 65 and older were living below the poverty line.

From the 1950s to the end of the 20th century, the proportion of non-Hispanic whites in the city declined; in 2000, non-Hispanic whites made up 49.5% of the city's population, making the city majority-minority for the first time. However, in recent years the city has experienced significant gentrification, in which affluent whites have moved into formerly non-white areas. Meanwhile, the city's black population has decreased. In 2006, the U.S. Census Bureau estimated that non-Hispanic whites again formed a slight majority. But as of 2010, in part due to the housing crash, as well as increased efforts to make more affordable housing more available the minority population has rebounded. This may also have to do with an increased Latino population and more clarity surrounding U.S. Census statistics, which indicate a Non-Hispanic White population of 47 percent (some reports give slightly lower figures).

According to the 2010 U.S. Census, the racial composition of Boston was as follows:

White: 53.9% (Non-Hispanic Whites: 47.0%)

Black or African American: 22.4%

Native American: 0.2%

Asian: 8.9%

Native Hawaiian and Other Pacific Islander: 0.0%

Some other race: 1.6%

Two or more races: 2.4%

Hispanic or Latino (of any race): 17.5%

People of Irish descent form the largest single ethnic group in the city, making up 15.8% of the population, followed by Italians, accounting for 8.3% of the population. People of West Indian ancestry are another sizable group, at 6.4%, about half of whom are of Haitian ancestry. Some neighborhoods, such as Dorchester, have received an influx of people of Vietnamese ancestry in recent decades. Neighborhoods such as Jamaica Plain and Roslindale have experienced a growing number of Dominican Americans. The city and greater area also has a large immigration population of South Asians, including the tenth-largest Indian community in the country, with an estimated 62,598 Indians.

The city also has a sizable Jewish population with an estimated 21,000 Jews within the city and 22 synagogues. The adjacent communities of Brookline and Newton are both approximately one third Jewish.

Accent

The "Boston accent" is widely parodied in the U.S. as the speech of the Kennedys. It is non-rhotic (i.e., drops the "r" sound at the end of syllables unless the next syllable starts with a vowel) and traditionally uses a "broad a" in certain words, so "bath" can sound like "bahth". Boston English has many dialect words, such as "frappe", meaning "milkshake made with ice cream" (as opposed to other milkshakes). The accent originated in the non-rhotic speech of 17th century East Anglia and Lincolnshire.

Crime

The city has seen a great reduction in violent crime since the early 1990s. Boston's low crime rate over the past decade or so has been credited to the Boston Police Department's collaboration with neighborhood groups and church parishes to prevent youths from joining gangs, as well as involvement from the United States Attorney and District Attorney's offices. This helped lead in part to what has been touted as the "Boston Miracle". Murders in the city dropped from 152 in 1990 (for a murder rate of 26.5 per 100,000 people) to just 31—not one of them a juvenile—in 1999 (for a murder rate of 5.26 per 100,000).

In the first decade of the 21st century, however, the annual murder count has fluctuated by as much as 50% compared with the year before, with 60 murders in 2002, followed by just 39 in 2003, 64 in 2004, and 75 in 2005. Although the figures are nowhere near the high-water mark set in 1990, the aberrations in the murder rate have been unsettling for many Bostonians and have prompted discussion over whether the Boston Police Department should reevaluate its approach to fighting crime.

Economy

Encompassing $363 billion, the Greater Boston metropolitan area has the sixth-largest economy in the country and 12th-largest in the world.

Boston's colleges and universities have a significant effect on the regional economy, with students contributing an estimated $4.8 billion annually to the city's economy. Boston's schools are major employers and attract industries to the city and surrounding region. Boston is home to a number of technology companies and is a hub for biotechnology, with the Milken Institute rating Boston as the top life sciences cluster in the country. Boston also receives the highest absolute amount of annual funding from the National Institutes of Health of all cities in the United States.

Tourism comprises a large part of Boston's economy. In 2004, tourists spent $7.9 billion and made the city one of the ten-most-popular tourist locations in the country. Because of Boston's status as a state capital and the regional home of federal agencies, law and government are another major component of the city's economy. The city is also a major seaport along the United States' East Coast and is also the oldest continuously operated industrial and fishing port in the Western Hemisphere.

Some of the other important industries are financial services, especially mutual funds and insurance. Boston-based Fidelity Investments helped popularize the mutual fund in the 1980s and has made Boston one of the top financial cities in the United States. The city is home to the regional headquarters of Bank of America and Sovereign Bank, and it is a center for venture capital firms. State Street Corporation, which specializes in asset management and custody services, is based in the city. A 2008 study ranked Boston among the top 10 cities in the world for a career in finance. Boston is a printing and publishing center — Houghton Mifflin is headquartered within the city, along with Bedford-St. Martin's Press, Beacon Press, and Little, Brown and Company. Pearson PLC publishing units also employ several hundred people in Boston. The city is home to three major convention centers—the Hynes Convention Center in the Back Bay, and the Seaport World Trade Center and Boston Convention and Exhibition Center on the South Boston waterfront.

Some of the major companies headquartered within the city are the Liberty Mutual insurance company, Gillette (now owned by Procter & Gamble), and New Balance. Boston is also home to management consulting firms The Boston Consulting Group and Bain & Company, as well as the private equity group Bain Capital. The Ad Club serves as a networking company to Boston-based companies and advertising. Other major companies are located outside the city, especially along Route 128, which serves as the center of the region's high-tech industry. In 2006, Boston and its metropolitan area ranked as the fourth-largest cybercity in the United States with 191,700 high-tech jobs. Only NYC Metro, DC Metro, and Silicon Valley have larger high-tech sectors.

Boston is classified as an "incipient global city" by a 2004 study group at Loughborough University in England.

Culture

Boston shares many cultural roots with greater New England, including a dialect of the non-rhotic Eastern New England accent known as Boston English, and a regional cuisine with a large emphasis on seafood, salt, and dairy products. Irish Americans are a major influence on Boston's politics and religious institutions. Boston also has its own collection of neologisms known as Boston slang.

The city has a number of ornate theatres, including the Cutler Majestic Theatre, Boston Opera House, Citi Performing Arts Center, the Colonial Theater, and the Orpheum Theatre. Renowned performing-arts organizations include the Boston Symphony Orchestra, Boston Ballet, Boston Early Music Festival, Boston Lyric Opera Company, OperaBoston, and the Handel and Haydn Society (one of the oldest choral companies in the United States). The city is also a major center for contemporary classical music, with a number of performing groups, some of which are associated with the city's conservatories and universities. There are also many major annual events such as First Night, which occurs on New Year's Eve, the annual Boston Arts Festival at Christopher Columbus Waterfront Park, Italian summer feasts in the North End honoring Catholic saints, and several events during the Fourth of July period. These events include the week-long Harborfest festivities and a Boston Pops concert accompanied by fireworks on the banks of the Charles River.

Because of the city's prominent role in the American Revolution, several historic sites relating to that period are preserved as part of the Boston National Historical Park. Many are found along the Freedom Trail, which is marked by a red line of bricks embedded in the ground. The city is also home to several prominent art museums, including the Museum of Fine Arts and the Isabella Stewart Gardner Museum. In December 2006, the Institute of Contemporary Art moved from its Back Bay location to a new contemporary building designed by Diller Scofidio + Renfro located in the Seaport District. The University of Massachusetts campus at Columbia Point houses the John F. Kennedy Library. The Boston Athenaeum (one of the oldest independent libraries in the United States), Boston Children's Museum, Bull & Finch Pub (whose building is known from the television show ''Cheers''), Museum of Science, and the New England Aquarium are within the city.

Boston is also one of the birthplaces of the hardcore punk genre of music. Boston musicians have contributed significantly to this music scene over the years (''see also Boston hardcore''). Boston neighborhoods were home to one of the leading local third wave ska and ska punk scenes in the 1990s, led by bands such as The Mighty Mighty Bosstones and The Allstonians. The 1980s' hardcore punk-rock compilation ''This Is Boston, Not L.A.'' highlights some of the bands that built the genre. Several nightclubs, such as The Channel, Bunnratty's in Allston, and The Rathskeller, were renowned for showcasing both local punk-rock bands and those from farther afield. All of these clubs are now closed. Many were razed or converted during recent gentrification.

Boston has been a noted religious center from its earliest days. The Roman Catholic Archdiocese of Boston serves nearly 300 parishes and is based in the Cathedral of the Holy Cross (1875) in the South End, while the Episcopal Diocese of Massachusetts, with the Cathedral Church of St. Paul (1819) as its episcopal seat, serves just under 200 congregations. Two Protestant faiths are headquartered in Boston: Unitarian Universalism, with its headquarters on Beacon Hill, and the Christian Scientists, headquartered in Back Bay at the Mother Church (1894). The oldest church in Boston is King's Chapel, the city's first Anglican church, founded in 1686 and converted to Unitarianism in 1785. Other notable churches include Christ Church (better known as Old North Church, 1723), the oldest church building in the city, Trinity Church (1733), Park Street Church (1809), First Church in Boston (congregation founded 1630, building raised 1868), Old South Church (1874), and Basilica and Shrine of Our Lady of Perpetual Help on Mission Hill (1878).

Media

''The Boston Globe'' (owned by The New York Times Company) and the ''Boston Herald'' are two of Boston's major daily newspapers. The city is also served by other publications such as ''The Boston Phoenix'', ''Boston magazine'', ''The Improper Bostonian'', ''Boston's Weekly Dig'', and the Boston edition of ''Metro''. The ''Christian Science Monitor'', headquartered in Boston, was formerly a worldwide daily newspaper but ended publication of daily print editions in 2009, switching to continuous online and weekly magazine format publications. ''The Boston Globe'' also releases a teen publication to the city's public high schools. The newspaper ''Teens in Print'' or ''T.i.P.'' is written by the city's teens and delivered quarterly within the school year.

The city's growing Latino population has given rise to a number of local and regional Spanish-language newspapers. These include ''El Planeta'' (owned by ''The Boston Phoenix''), ''El Mundo'', and ''La Semana''. ''Siglo21'', with its main offices in nearby Lawrence, is also widely distributed.

Boston has the largest broadcasting market in New England, with the Boston radio market being the eleventh largest in the United States. Several major AM stations include talk radio WRKO 680 AM, sports/talk station WEEI 850 AM, and news radio WBZ 1030 AM. A variety of FM radio formats serve the area, as do NPR stations WBUR and WGBH. College and university radio stations include WERS (Emerson), WHRB (Harvard), WUMB (UMass Boston), WMBR (M.I.T.), WZBC (Boston College), WMFO (Tufts University), WBRS (Brandeis University), WTBU (Boston University, campus and web only), WRBB (Northeastern University) and WMLN (Curry College).

The Boston television DMA, which also includes Manchester, New Hampshire, is the seventh largest in the United States. The city is served by stations representing every major American network, including WBZ 4 and its sister station WSBK 38 (the former with CBS, the latter an independent, nonaffiliated station), WCVB 5 (ABC), WHDH 7 (NBC), WFXT 25 (Fox), WUNI 27 (Univision), WBIN 50 (MyNetworkTV), and WLVI 56 (The CW). Boston is also home to PBS station WGBH 2, a major producer of PBS programs, which also operates WGBX 44. Most Boston television stations have their transmitters in nearby Needham and Newton along the Route 128 corridor.

Sports

Boston has teams in the four major North American professional sports leagues, and has won 33 championships in these leagues, as of 2011.

The Boston Red Sox, a founding member of the American League of Major League Baseball in 1901, play their home games at Fenway Park, near Kenmore Square in the Fenway section of Boston. Built in 1912, it is the oldest sports arena or stadium in active use in the United States among the four major professional American sports leagues, encompassing Major League Baseball, the National Football League, National Basketball Association, and the National Hockey League. Boston was also the site of the first game of the first modern World Series, in 1903. The series was played between the AL Champion Boston Americans and the NL champion Pittsburgh Pirates. Persistent reports that the team was known in 1903 as the "Boston Pilgrims" appear to be unfounded. Boston's first professional baseball team was the Red Stockings, one of the charter members of the National Association in 1871, and of the National League in 1876. The team played under that name until 1883, under the name Beaneaters until 1911, and under the name Braves from 1912 until they moved to Milwaukee after the 1952 season. Since 1966 they have played in Atlanta as the Atlanta Braves.

The TD Garden (formerly called the FleetCenter) is adjoined to North Station and is the home of three major league teams: the Boston Blazers of the National Lacrosse League, the 2011 Stanley Cup champion Boston Bruins of the National Hockey League; and the Boston Celtics of the National Basketball Association. The arena seats 18,624 for basketball games and 17,565 for ice hockey venues. The Bruins were the first American member of the National Hockey League and an Original Six franchise. The Boston Celtics were founding members of the Basketball Association of America, one of the two leagues that merged to form the NBA. The Celtics have the distinction of having won more championships than any other NBA team, with seventeen.

While they have played in suburban Foxborough since 1971, the New England Patriots were founded in 1960 as the Boston Patriots, changing their name in 1971 to better reflect its status as New England's team. A charter member of the American Football League, the team joined the National Football League in 1970. The team has won the Super Bowl three times, in 2001, 2003, and 2004. They share Gillette Stadium with the New England Revolution of Major League Soccer. The Boston Breakers of Women's Professional Soccer, which formed in 2009, play their home games at Harvard Stadium in Allston.

Boston's many colleges and universities are active in college athletics. Four NCAA Division I members play their games in the city—Boston College (Atlantic Coast Conference), Boston University (America East Conference), Harvard University (Ivy League), and Northeastern University (Colonial Athletic Association). Of the four, only Boston College participates in college football at the highest level, the Football Bowl Subdivision. Harvard participates in the second-highest level, the Football Championship Subdivision. Boston University and Northeastern University do not have football teams. All but Harvard belong to the Hockey East conference; Harvard belongs to the ECAC in hockey. The hockey teams of these four universities meet every year in a four-team tournament known as the "Beanpot Tournament", which is played at the TD Garden over two Monday nights in February.

One of the best known sporting events in the city is the Boston Marathon, the 26.2 mile (42.2 km) run from Hopkinton to Copley Square in the Back Bay which is the world's oldest annual marathon run. It is run on Patriots' Day in April and always coincides with a Red Sox home baseball game that starts at 11:05 am, the only MLB game all year to start before noon local time. Another major event held annually in the city is the Head of the Charles Regatta rowing competition on the Charles River.

Club	League	Sport	Venue	Established	Championships
Boston Bruins		Hockey	TD Garden	1924	6 Stanley Cups
Boston Celtics		Basketball	TD Garden	1946	17 NBA Titles
Boston Red Sox		Baseball	Fenway Park	1901	7 World Series Titles12 AL Pennants
New England Patriots		Football	Gillette Stadium	1960	3 Super Bowl Titles6 AFC Championships
New England Revolution		Soccer	Gillette Stadium	1995	1 U.S. Open Cup 1 Superliga
Boston Blazers		Lacrosse (Indoor)	TD Garden	2008	None
! scope="row" style="font-weight: normal; text-align: center;"		Soccer	Harvard Stadium	2001	None
Boston Cannons		Lacrosse (Outdoor)	Harvard Stadium	2001	1 Steinfeld Cup
! scope="row" style="font-weight: normal; text-align: center;"		Soccer	Amesbury Sports Park	2005	1 WPSL Title
! scope="row" style="font-weight: normal; text-align: center;"		Australian Rules Football	Ipswich River Park	1997	2 National Championships
Boston Militia		Football		2008	2 Championships
New England Riptide		Softball	Martin Softball Field	2004	1 Cowles Cup

Government

Boston has a strong mayor – council government system in which the mayor is vested with extensive executive powers. The mayor is elected to a four-year term by plurality voting. The current mayor of Boston is Thomas Menino. He was elected in 1993 and was reelected in 2009 for a fifth term, the longest in Boston history. Boston City Council is elected every two years. There are nine district seats, each elected by the residents of that district through plurality voting, and four at-large seats. Each voter casts up to four votes for at-large councilors, with no more than one vote per candidate. The candidates with the four highest vote totals are elected. The president of the city council is elected by the councilors from within themselves. The school committee for the Boston Public Schools is appointed by the mayor. The Boston Redevelopment Authority and the Zoning Board of Appeals (a seven-person body appointed by the mayor) share responsibility for land-use planning.

In addition to city government, numerous commissions and state authorities—including the Massachusetts Department of Conservation and Recreation, the Boston Public Health Commission, and the Massachusetts Port Authority (Massport)—play a role in the life of Bostonians. As the capital of Massachusetts, Boston plays a major role in state politics. The city has several properties relating to the United States federal government, including the John F. Kennedy Federal Office Building and the Thomas P. O'Neill Federal Building. Boston also serves as the home of the United States Court of Appeals for the First Circuit and of the United States District Court for the District of Massachusetts; Boston is the headquarters of the Federal Reserve Bank of Boston (the First District of the Federal Reserve).

Federally, Boston is part of Massachusetts's 8th and 9th congressional districts, represented respectively by Mike Capuano, elected in 1998, and Stephen Lynch, elected in 2001; both are Democrats. The state's senior member of the United States Senate is Democrat John Kerry, elected in 1984. The state's junior member of the United States Senate is Republican Scott Brown was elected in 2010 to fill the vacancy caused by the death of long-time Democratic senator Ted Kennedy.

{| class=wikitable ! colspan = 6 | Voter Registration and Party Enrollment as of October 15, 2008 |- ! colspan = 2 | Party ! Number of Voters ! Percentage | Democratic | style="text-align:center;"| 209,710 | style="text-align:center;"| 55.04% | Republican | style="text-align:center;"| 27,541 | style="text-align:center;"| 7.23% | Unaffiliated | style="text-align:center;"| 140,601 | style="text-align:center;"| 36.90% | Minor Parties | style="text-align:center;"| 3,161 | style="text-align:center;"| 0.83% |- ! colspan = 2 | Total ! style="text-align:center;"| 381,013 ! style="text-align:center;"| 100% |}

Education

Boston's reputation as an intellectual center, "the Athens of America", derives in large part from the teaching and research activities of more than 100 colleges and universities located in the Greater Boston Area, with more than 250,000 students attending college in Boston and Cambridge alone. Within the city, Boston University exudes a large presence as the city's fourth-largest employer, and maintains a campus along the Charles River on Commonwealth Avenue and its medical campus in the South End. Northeastern University, another large private university, is located in the Fenway area, and is particularly known for its Business and Health Science schools and cooperative education program. Suffolk University, the third largest university in Boston, is located in the Beacon Hill area, and is known for its law school and business school. Boston College, a private Catholic Jesuit university, whose original campus was located in the South End, now straddles the Boston (Brighton)-Newton border, with planned expansions further into Brighton. Boston's only public university is the University of Massachusetts Boston, located on Columbia Point in Dorchester. Roxbury Community College and Bunker Hill Community College are the city's two public community colleges.

Boston has several smaller private colleges and universities. Emmanuel College, Massachusetts College of Art and Design, Massachusetts College of Pharmacy and Health Sciences, Simmons College, Wheelock College, and Wentworth Institute of Technology are founding members of the Colleges of the Fenway and are located adjacent to Northeastern University. New England School of Law, a small private law school located in the theater district, was originally established as America's first all female law school. Emerson College, a small private college with a strong reputation in the fields of performing arts, journalism, writing, and film, is located near Boston Common.

Boston is also home to several conservatories and art schools, including The Art Institute of Boston (Lesley University), Massachusetts College of Art, New England Institute of Art, New England School of Art and Design (Suffolk University), and the New England Conservatory (the oldest independent conservatory in the United States). Other conservatories include the Boston Conservatory, the School of the Museum of Fine Arts and Berklee College of Music.

Several major national universities located outside Boston have a major presence in the city. Harvard University, the nation's oldest, is located across the Charles River in Cambridge. Its business and medical schools are in Boston, and there are plans for additional expansion into Boston's Allston neighborhood. The Massachusetts Institute of Technology (MIT), which originated in Boston and was long known as "Boston Tech", moved across the river to Cambridge in 1916. Tufts University administers its medical and dental school adjacent to the Tufts Medical Center, a 451-bed academic medical institution that is home to both a full-service hospital for adults and the Floating Hospital for Children.

Boston Public Schools, the oldest public school system in the U.S., enrolls 57,000 students from pre-kindergarten to grade 12. The system operates 145 schools, which includes Boston Latin School (the oldest public school in the United States, established in 1635) which, along with Boston Latin Academy and John D. O'Bryant School of Math & Science, are highly prestigious public exam schools admitting students in the 7th and 9th grades only and serving grades 7–12), English High (the oldest public high school, established 1821), and the Mather School (the oldest public elementary school, established in 1639). In 2002, ''Forbes Magazine'' ranked the Boston Public Schools as the best large city school system in the country, with a graduation rate of 82%. In 2005, the student population within the school system was 45.5% Black or African American, 31.2% Hispanic or Latino, 14% White, and 9% Asian, as compared with 24%, 14%, 49%, and 8% respectively for the city as a whole. The city also has private, parochial, and charter schools and approximately 3000 students of racial minorities attend participating suburban schools through the Metropolitan Educational Opportunity Council, or METCO.

Healthcare

The Longwood Medical and Academic Area is a region of Boston with a high concentration of medical and research facilities, including Beth Israel Deaconess Medical Center, Brigham and Women's Hospital, Children's Hospital Boston, Dana-Farber Cancer Institute, Harvard Medical School, Harvard School of Public Health, Harvard School of Dental Medicine, and Massachusetts College of Pharmacy and Health Sciences. Massachusetts General Hospital is near the Beacon Hill neighborhood, with the Massachusetts Eye and Ear Infirmary and Spaulding Rehabilitation Hospital nearby. St. Elizabeth's Medical Center is in Brighton Center of Boston's Brighton neighborhood. New England Baptist Hospital is in Mission Hill. Boston has Veterans Affairs medical centers in the Jamaica Plain and West Roxbury neighborhoods. The Boston Public Health Commission, an agency of the Massachusetts government, oversees health concerns for Boston residents.

Many of Boston's major medical facilities are associated with universities. The facilities in the Longwood Medical and Academic Area and in Massachusetts General Hospital are well-known research medical centers affiliated with Harvard Medical School. Tufts Medical Center (formerly Tufts-New England Medical Center), located in the southern portion of the Chinatown neighborhood, is affiliated with Tufts University School of Medicine. Boston Medical Center, located in the South End neighborhood, is the primary teaching facility for the Boston University School of Medicine as well as the largest trauma center in the Boston area; it was formed by the merger of Boston University Hospital and Boston City Hospital, which was the first municipal hospital in the United States.

Utilities

Water supply and sewage-disposal services are provided by the Boston Water and Sewer Commission. The Commission in turn purchases wholesale water and sewage disposal from the Massachusetts Water Resources Authority. The city's water comes from the Quabbin Reservoir and the Wachusett Reservoir, which are about and west of the city respectively. Boston's tap water has been ranked among the best in the country, and Boston is one of five cities in the country with tap water pure enough to be exempt from Environmental Protection Agency filtration requirements. NSTAR is the exclusive electricity distributor to the city, though due to deregulation, customers now have a choice of electric generation companies. Natural gas is distributed by National Grid plc (originally KeySpan, the successor company to Boston Gas); only commercial and industrial customers may choose an alternate natural gas supplier. Municipal steam services are provided by Veolia Energy North America and its subsidiary Trigen Energy Corporation; which comprise the original assets of the defunct Boston Heating Company.

Verizon, successor to New England Telephone, NYNEX, Bell Atlantic, and earlier, the Bell System, is the primary wired telephone service provider for the area. Phone service is also available from various national wireless companies. Cable television is available from Comcast and RCN, with broadband Internet access provided by the same companies in certain areas. A variety of DSL providers and resellers are able to provide broadband Internet over Verizon-owned phone lines. Galaxy Internet Services (GIS) has also moved to the forefront to deploy municipal WiFi Broadband Internet throughout areas of the city of Boston. Further attempts are being made by Boston's officials to increase internet access in the city with Boston being one of many US cities vying to be a future testbed for the Google Fiber high speed internet network. The city has been termed by these officials as being "Google Ready" and public forums have been created to help drive the initiative in Boston's favor.

Transportation

Logan International Airport, located in the East Boston neighborhood, handles most of the scheduled passenger service for Boston. Surrounding the city are three major general aviation relievers: Beverly Municipal Airport to the north, Hanscom Field in Bedford, to the west, and Norwood Memorial Airport to the south. T. F. Green Airport serving Providence, Rhode Island, Bradley International Airport outside of Hartford, Connecticut, and Manchester-Boston Airport in Manchester, New Hampshire, also provide scheduled passenger service to the Boston area.

Downtown Boston's streets were not organized on a grid, but grew in a meandering organic pattern from early in the 17th century. They were created as needed, and as wharves and landfill expanded the area of the small Boston peninsula. Along with several rotaries, roads change names and lose and add lanes seemingly at random. By contrast, streets in the Back Bay, East Boston, the South End, and South Boston do follow a grid system.

Boston is the eastern terminus of cross-continent I-90, which in Massachusetts runs along the Massachusetts Turnpike. Originally known as the Circumferential Highway, Route 128 carries I-95 over a portion of its route west and north of the city. U.S. 1 and I-93 run concurrently north to south through the city from Charlestown to Dorchester, joined by Massachusetts Route 3 after the Zakim Bridge over the Charles River. The elevated portion of the Central Artery, which carried these routes through downtown Boston, was replaced with the O'Neill Tunnel during the Big Dig, substantially completed in early 2006.

With nearly a third of Bostonians using public transit for their commute to work, Boston has the fourth-highest rate of public transit usage. The Massachusetts Bay Transportation Authority (MBTA) operates what was the first underground rapid transit system in the United States and is now the fourth busiest rapid transit system in the country, having been expanded to of track, reaching as far north as Malden, as far south as Braintree, and as far west as Newton—collectively known as the "T". The MBTA also operates the nation's seventh busiest bus network, as well as water shuttles, and the nation's busiest commuter rail network outside of New York City or Chicago, totaling over , extending north to the Merrimack Valley, west to Worcester, and south to Providence.

Amtrak's Northeast Corridor and Chicago lines originate at South Station and stop at Back Bay. Fast Northeast Corridor trains, which serve New York City, Washington, D.C., and points in between, also stop at Route 128 Station in the southwestern suburbs of Boston. Meanwhile, Amtrak's ''Downeaster'' service to Maine originates at North Station.

Nicknamed "The Walking City," Boston hosts more pedestrian commuters than do other comparably populated cities. Owing to factors such as the compactness of the city and large student population, 13% of the population commutes by foot, making it the highest percentage of pedestrian commuters in the country out of the major American cities. In 2011, Walk Score ranked Boston the third most walkable city in the United States.

Between 1999 and 2006, ''Bicycling'' magazine named Boston as one of the worst cities in the U.S. for cycling three times; regardless, it has one of the highest rates of bicycle commuting. In September 2007, Mayor Menino started a bicycle program called Boston Bikes with a goal of improving bicycling conditions by adding bike lanes, racks, and offering bikeshare programs. In 2008, as a consequence the same magazine put Boston on its list of its "Five for the Future" list as a "Future Best City" for biking. The bikeshare program, called Hubway, launched in late July 2011. In tandem with the program, police announced intention to step up enforcement of traffic laws, both on drivers and bikers, as part of an effort to improve safety and ameliorate the city's growing clash between bikers and motorists.

Sister cities

Boston has eight official sister cities as recognized by Sister Cities International. The date column indicates the year in which the relationship was established. Kyoto was Boston's first sister city.

! City	! Country	! Date	! References
Kyoto
Strasbourg
Barcelona
Hangzhou	People's Republic of China
Padua
Melbourne
Taipei	Republic of China (Taiwan)
Sekondi-Takoradi	Ghana

Boston also has less formal friendship or partnership relationships with an additional three cities.

! City	! Country	! Date	! References
Boston, Lincolnshire	United Kingdom
Haifa	Israel
Valladolid	Spain

See also

Boston in fiction

Boston nicknames

List of diplomatic missions in Boston

List of fictional people from Boston

List of people from Boston

List of songs about Boston

List of tallest buildings in Boston

List of television shows set in Boston

National Register of Historic Places listings in Boston, Massachusetts

Notes

References

Further reading

''Boston: A to Z'' (2000), Thomas H. O'Connor, ISBN 0-674-00310-1

''Built in Boston: City and Suburb, 1800–2000'' (2000), Douglass Shand-Tucci, ISBN 1-55849-201-1

''Lost Boston'' (1999), Mariner Books, ISBN 0-395-96610-8

''Boston: A Topographical History'', Third Enlarged Edition (2000), Belknap Press, ISBN 0-674-00268-7

''When in Boston: A Time Line & Almanac'' (2004), Northeastern, ISBN 1-55553-620-4

''Gaining Ground: A History of Landmaking in Boston'' (2003), Nancy S. Seasholes, ISBN 0-262-19494-5

''Boston's Secret Spaces: 50 Hidden Corners In and Around the Hub'', (2009), Globe Pequot; First edition ISBN 0-7627-5062-6

''AIA Guide to Boston, 3rd Edition: Contemporary Landmarks, Urban Design, Parks, Historic Buildings and Neighborhoods'', (2008), Michael Southworth and Susan Southworth, GPP Travel, ISBN 0-7627-4337-9

''Boston: A Pictorial Celebration'' (2006), Jonathan M. Beagle, Elan Penn (photographer), ISBN 1-4027-1977-9

''City in Time: Boston'' (2008), Jeffrey Hantover, Gilbert King (photographer), ISBN 1-4027-3300-3

''Mapping Boston'' (2001), Alex Krieger (editor), David Cobb (editor), Amy Turner (editor), Norman B. Leventhal (Foreword by) MIT Press, ISBN 0-262-61173-2

''Boston Beheld: Antique Town and Country Views'' (2008), D. Brenton Simons, University Press of New England, ISBN 1-58465-740-5

''Boston'' (2010) by Jordan Worek; photographs by Bill Horsman, Firefly Books, ISBN 1-55407-591-2

''Boston's immigrants, 1840–1925'' (2000), by Michael Price, Anthony Mitchell Sammarco, Arcadia Publishing, Images of America series

''Boston: A Century of Progress'' (1995), by Anthony Mitchell Sammarco, Arcadia Publishing, Images of America series

External links

City of Boston official website

Open Space Plan 2002–2006 from the City of Boston official website

Historical Maps of Boston from the Norman B. Leventhal Map Center at the Boston Public Library

Boston Streets: Mapping Directory Data from Tufts University, with support from the Institute of Museum and Library Services and The Bostonian Society

Maps of income, landfill growth, public transport, and squares from Radical Cartography

Category:Cities in Massachusetts Category:County seats in Massachusetts Category:Irish American history Category:Irish-American culture Category:Populated coastal places in Massachusetts Category:Populated places established in 1630 Category:Populated places in Suffolk County, Massachusetts Category:Port settlements in the United States Category:University towns in the United States

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name	Bastien Salabanzi
residence	Paris, France
birth place	Toulon, France
birth name	Bastien Salabanzi
occupation	Professional Skateboarder
weight	}}

Bastien Salabanzi (born November 18, 1985 in Toulon, France) is a professional skateboarder. His stance is regular.

Career

He started skateboarding when he was nine, and soon after gained his first sponsorship by the Skateshop of Toulon. He won his first contest at the age of 11 in Marseille, France. After that, Vans flew him to the finals in California, his first trip to the United States.

Bastien finished third in the street skateboarding event at the 2004 X Games.

He won the WSR05 skateboarding contest in Rotterdam, Netherlands in 2005 and Mystic Skate Cup in Prague - the famous contest from the World Cup series held traditionally in Prague. He also won the World cup in Dortmund (Globe Shoes World Skateboarding Championships) when he was only 16 years old. Bastien Salabanzi went deep into his bag of tricks to pull off a run that included a kickflip nose manual b/s 180 out into a switch 360 flip into a nollie 180 flip before switching back to his normal stance and sticking a kickflip f/s boardslide to fakie. It was a tough call for the judges but they awarded Salabanzi the win over Senn.

Around 2006 Bastien lost all his sponsors due to irreconcilable differences of opinion and returned to France.

In 2008 Bastien returns in the globe metz master getting the first place after landing a caballerial double flip.

Recently he won the adidas clash contest, and also the Tony Hawk contest.

In the 2010 Maloof Money cup held in NYC Bastien placed fourth in the pro contest.

Bastien is said to be travelling France playing the guitar, a newly found passion of his. One of his unique achievements was a switch heel flip up a 6 set of stairs.

Sponsors

Jart Skateboards

Rusty

Past sponsors

Quiksilver

Flip Skateboards

Vans

Fury Trucks

Lordz Wheels

MOB Griptape

Etnies

ALIS

Sources

Interview from Thrasher magazine

Category:French skateboarders Category:Living people Category:1985 births

fr:Bastien Salabanzi sl:Bastien Salabanzi

name edward ellington| image	Duke Ellington restored.jpg
background	non_vocal_instrumentalist
birth name	Edward Kennedy Ellington
born	April 29, 1899Washington, D.C., U.S.
died	May 24, 1974New York City, New York, U.S.
instrument	Piano
genre	Orchestral jazz, swing, big band
occupation	Bandleader, pianist, composer
years active	1914–74
website	Duke Ellington Official Website

Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist, and big band leader. Ellington wrote over 1,000 compositions. In the words of Bob Blumenthal of ''The Boston Globe'' "In the century since his birth, there has been no greater composer, American or otherwise, than Edward Kennedy Ellington."

A major figure in the history of jazz, Ellington's music stretched into various other genres, including blues, gospel, film scores, popular, and classical. His career spanned more than 50 years and included leading his orchestra, composing an inexhaustible songbook, scoring for movies, composing stage musicals, and world tours. Several of his instrumental works were adapted into songs that became standards. Due to his inventive use of the orchestra, or big band, and thanks to his eloquence and extraordinary charisma, he is generally considered to have elevated the perception of jazz to an art form on a par with other traditional genres of music. His reputation increased after his death and the Pulitzer Prize Board bestowed on him a special posthumous honor in 1999.

Ellington called his music "American Music" rather than jazz, and liked to describe those who impressed him as "beyond category." These included many of the musicians who were members of his orchestra, some of whom are considered among the best in jazz in their own right, but it was Ellington who melded them into one of the most well-known jazz orchestral units in the history of jazz. He often composed specifically for the style and skills of these individuals, such as "Jeep's Blues" for Johnny Hodges, "Concerto for Cootie" for Cootie Williams, which later became "Do Nothing Till You Hear from Me" with Bob Russell's lyrics, and "The Mooche" for Tricky Sam Nanton and Bubber Miley. He also recorded songs written by his bandsmen, such as Juan Tizol's "Caravan" and "Perdido" which brought the 'Spanish Tinge' to big-band jazz. Several members of the orchestra remained there for several decades. After 1941, he frequently collaborated with composer-arranger-pianist Billy Strayhorn, whom he called his "writing and arranging companion." Ellington recorded for many American record companies, and appeared in several films.

Ellington led his band from 1923 until his death in 1974. His son Mercer Ellington, who had already been handling all administrative aspects of his father's business for several decades, led the band until his own death in 1996. At that point, the original band dissolved. Paul Ellington, Mercer's youngest son and executor of the Duke Ellington estate, kept the Duke Ellington Orchestra going from Mercer's death onwards.

Early life

Edward Kennedy Ellington was born on April 29, 1899 to James Edward Ellington and Daisy Kennedy Ellington. Daisy and J.E. were both pianists. She primarily played parlor songs and he operatic airs. They lived with his maternal grandparents at 2129 Ida Place (now Ward Place), NW in the West End neighborhood of Washington, D.C. His father, James Edward Ellington was born in Lincolnton, North Carolina on April 15, 1879 and moved to Washington, D.C. in 1886 with his parents. Daisy Kennedy, was born in Washington, D.C. on January 4, 1879, and was the daughter of a former American slave. James Ellington made blueprints for the United States Navy. He also worked as a butler for Dr. Middleton F. Cuthbert, a prominent white physician, and occasionally worked as a White House caterer.

At the age of seven Ellington began taking piano lessons from Marietta Clinkscales. Daisy surrounded her son with dignified women to reinforce his manners and teach him to live elegantly. Ellington’s childhood friends noticed that "his casual, offhand manner, his easy grace, and his dapper dress gave him the bearing of a young nobleman", and began calling him Duke. Ellington credited his "chum" Edgar McEntree for the nickname. "I think he felt that in order for me to be eligible for his constant companionship, I should have a title. So he called me Duke."

Though Ellington took piano lessons, he was more interested in baseball. "President Roosevelt (Teddy) would come by on his horse sometimes, and stop and watch us play," he recalled. Ellington went to Armstrong Technical High School in Washington, D.C. He got his first job selling peanuts at Washington Senators baseball games.

In the summer of 1914, while working as a soda jerk at the Poodle Dog Cafe, he wrote his first composition, "Soda Fountain Rag" (also known as the "Poodle Dog Rag"). Ellington created "Soda Fountain Rag" by ear, because he had not yet learned to read and write music. "I would play the 'Soda Fountain Rag' as a one-step, two-step, waltz, tango, and fox trot," Ellington recalled. "Listeners never knew it was the same piece. I was established as having my own repertoire." In his autobiography, ''Music is my Mistress'' (1973), Ellington said he missed more lessons than he attended, feeling at the time that playing the piano was not his talent. Ellington started sneaking into Frank Holiday's Poolroom at the age of fourteen. Hearing the poolroom pianists play ignited Ellington's love for the instrument and he began to take his piano studies seriously. Among the many piano players he listened to, he listened to Doc Perry, Lester Dishman, Louis Brown, Turner Layton, Gertie Wells, Clarence Bowser, Sticky Mack, Blind Johnny, Cliff Jackson, Claude Hopkins, Phil Wurd, Caroline Thornton, Luckey Roberts, Eubie Blake, Joe Rochester, and Harvey Brooks.

Ellington began listening to, watching, and imitating ragtime pianists, not only in Washington, D.C., but in Philadelphia and Atlantic City, where he vacationed with his mother during the summer months. Dunbar High School music teacher Henry Lee Grant gave him private lessons in harmony. With the additional guidance of Washington pianist and band leader Oliver "Doc" Perry, Ellington learned to read sheet music, project a professional style, and improve his technique. Ellington was also inspired by his first encounters with stride pianists James P. Johnson and Luckey Roberts. Later in New York he took advice from Will Marion Cook, Fats Waller, and Sidney Bechet. Ellington started to play gigs in cafés and clubs in and around Washington, D.C. and his attachment grew to be so strong that he turned down an art scholarship to the Pratt Institute in Brooklyn in 1916. Three months before graduating he dropped out of Armstrong Manual Training School, where he was studying commercial art.

From 1917 through 1919, Ellington launched his musical career, painting commercial signs by day and playing piano by night. Through his day job, Duke's entrepreneurial side came out: when a customer would ask him to make a sign for a dance or party, he would ask them if they had musical entertainment; if not, Ellington would ask if he could play for them. He also had a messenger job with the U.S. Navy and State Departments. Ellington moved out of his parents' home and bought his own as he became a successful pianist. At first, he played in other ensembles, and in late 1917 formed his first group, "The Duke’s Serenaders" ("Colored Syncopators", his telephone directory advertising proclaimed). He was not only a member, but also the booking agent. His first play date was at the True Reformer's Hall, where he took home 75 cents.

Ellington played throughout the Washington, D.C. area and into Virginia for private society balls and embassy parties. The band included Otto Hardwick, who switched from bass to saxophone; Arthur Whetsol on trumpet; Elmer Snowden on banjo; and Sonny Greer on drums. The band thrived, performing for both African-American and white audiences, a rarity during the racially divided times.

Music career

Early career

When his drummer Sonny Greer was invited to join the Wilber Sweatman Orchestra in New York City, Ellington made the fateful decision to leave behind his successful career in Washington, D.C., and move to Harlem, becoming one of the figures of the Harlem Renaissance. New dance crazes like the Charleston emerged in Harlem, as well as African-American musical theater, including Eubie Blake's ''Shuffle Along''. After the young musicians left the Sweatman Orchestra to strike out on their own, they found an emerging jazz scene that was highly competitive and hard to crack. They hustled pool by day and played whatever gigs they could find. The young band met Willie "The Lion" Smith who introduced them to the scene and gave them some money. They played at rent-house parties for income. After a few months the young musicians returned to Washington, D.C., feeling discouraged.

In June 1923 a gig in Atlantic City, New Jersey, led to a play date at the prestigious Exclusive Club in Harlem. This was followed in September 1923 by a move to the Hollywood Club – 49th and Broadway – and a four-year engagement, which gave Ellington a solid artistic base. He was known to play the bugle at the end of each performance. The group was called Elmer Snowden and his Black Sox Orchestra and had seven members, including James "Bubber" Miley. They renamed themselves "The Washingtonians". Snowden left the group in early 1924 and Ellington took over as bandleader. After a fire the club was re-opened as the Club Kentucky (often referred to as the "Kentucky Club"), an engagement which set the stage for the biggest opportunities in Ellington's life.

Ellington made eight records in 1924, receiving composing credit on three including ''Choo Choo''. In 1925 Ellington contributed four songs to ''Chocolate Kiddies'', an all-African-American revue which introduced European audiences to African-American styles and performers. "Duke Ellington and his Kentucky Club Orchestra" grew to a ten-piece organization; they developed their distinct sound by displaying the non-traditional expression of Ellington’s arrangements, the street rhythms of Harlem, and the exotic-sounding trombone growls and wah-wahs, high-squealing trumpets, and sultry saxophone blues licks of the band members. For a short time soprano saxophonist Sidney Bechet played with the group, imparting his propulsive swing and superior musicianship to the young band members. This helped attract the attention of some of the biggest names of jazz, including Paul Whiteman.

In 1927 King Oliver turned down a regular booking for his group as the house band at Harlem's Cotton Club; the offer passed to Ellington. With a weekly radio broadcast and famous white clientele nightly pouring in to see them, Ellington and his band thrived in the period from 1932 to 1942, a golden age for the band.

Ellington was joined in New York City by his wife, Edna Thompson, and son Mercer in the late twenties, but the couple soon permanently separated. According to her obituary in ''Jet'' magazine, she was "[h]omesick for Washington" and returned (she died in 1967).

Although trumpeter Bubber Miley was a member of the orchestra for only a short period, he had a major influence on Ellington's sound. An early exponent of growl trumpet, his style changed the "sweet" dance band sound of the group to one that was hotter, which contemporaries termed 'jungle' style. He also composed most of "Black and Tan Fantasy" and "Creole Love Call". An alcoholic, Miley had to leave the band before they gained wider fame. He died in 1932 at the age of 29. He was an important influence on Cootie Williams, who replaced him.

In 1927 Ellington made a career-advancing agreement with agent-publisher Irving Mills, giving Mills a 45% interest in Ellington's future. Mills had an eye for new talent and early on published compositions by Hoagy Carmichael, Dorothy Fields, and Harold Arlen. During the 1930s Ellington's popularity continued to increase – largely as a result of the promotional skills of Mills – who got more than his fair share of co-composer credits. Mills arranged recording sessions on the Brunswick, Victor, and Columbia labels which gave Ellington popular recognition. Mills lifted the management burden from Ellington's shoulders, allowing him to focus on his band's sound and his compositions. Ellington ended his association with Mills in 1937, although he continued to record under Mills' banner through to 1940.

At the Cotton Club, Ellington's group performed all the music for the revues, which mixed comedy, dance numbers, vaudeville, burlesque, music, and illegal alcohol. The musical numbers were composed by Jimmy McHugh and the lyrics by Dorothy Fields (later Harold Arlen and Ted Koehler), with some Ellington originals mixed in. Weekly radio broadcasts from the club gave Ellington national exposure. In 1929 Ellington appeared in his first movie, a nineteen-minute all-African-American RKO short, ''Black and Tan'', in which he played the hero "Duke". In the same year, The Cotton Club Orchestra appeared on stage for several months in Florenz Ziegfeld's ''Show Girl'', along with vaudeville stars Jimmy Durante, Eddie Foy, Jr., Al Jolson, Ruby Keeler, and with music and lyrics by George Gershwin and Gus Kahn. That feverish period also included numerous recordings, under the pseudonyms "Whoopee Makers", "The Jungle Band", "Harlem Footwarmers", and the "Ten Black Berries". In 1930 Ellington and his Orchestra connected with a whole different audience in a concert with Maurice Chevalier and they also performed at the Roseland Ballroom, "America's foremost ballroom". Noted composer Percy Grainger was also an early admirer and supporter.

In 1929, when Ellington conducted the orchestra for ''Show Girl'', he met Will Vodery, Ziegfeld’s musical supervisor. In his 1946 biography, ''Duke Ellington'', Barry Ulanov wrote:

As the Depression worsened, the recording industry was in crisis, dropping over 90% of its artists by 1933. Ellington and his orchestra survived the hard times by taking to the road in a series of tours. Radio exposure also helped maintain popularity. Ivie Anderson was hired as their featured vocalist. Sonny Greer had been providing occasional vocals and continued to do in a cross-talk feature with Anderson. Ellington, however, later had many different vocalists, including Herb Jeffries (until 1943) and Al Hibbler (who replaced Jeffries in 1943 and continued until 1951).

Ellington led the orchestra by conducting from the keyboard using piano cues and visual gestures; very rarely did he conduct using a baton. As a bandleader Ellington was not a strict disciplinarian; he maintained control of his orchestra with a crafty combination of charm, humor, flattery, and astute psychology. A complex, private person, he revealed his feelings to only his closest intimates and effectively used his public persona to deflect attention away from himself.

While the band's United States audience remained mainly African-American in this period, the Cotton Club had a near-exclusive white clientele and the Ellington orchestra had a huge following overseas, exemplified by the success of their trip to England in 1933 and their 1934 visit to the European mainland. The English visit saw Ellington win praise from members of the 'serious' music community, including composer Constant Lambert, which gave a boost to Ellington's aspiration to compose longer works. For agent Mills it was a publicity triumph, as Ellington was now internationally known. On the band's tour through the segregated South in 1934, they avoided some of the traveling difficulties of African-Americans by touring in private railcars. These provided easy accommodations, dining, and storage for equipment while avoiding the indignities of segregated facilities.

The death of Ellington's mother in 1935 led to a temporary hiatus in his career. Competition was also intensifying, as African-American and white swing bands began to receive popular attention, including those of Benny Goodman, Tommy Dorsey, Jimmy Dorsey, Jimmie Lunceford, Benny Carter, Earl Hines, Chick Webb, and Count Basie. Swing dancing became a youth phenomenon, particularly with white college audiences, and "danceability" drove record sales and bookings. Jukeboxes proliferated nationwide, spreading the gospel of "swing". Ellington band could certainly swing, but Ellington's strengths were mood and nuance, and richness of composition; hence his statement "jazz is music; swing is business". Ellington countered with two developments. He made recordings of smaller groups (sextets, octets, and nonets) drawn from his then-15-man orchestra and he composed pieces intended to feature specific instrumentalist, as with "Jeep's Blues" for Johnny Hodges, "Yearning for Love" for Lawrence Brown, "Trumpet in Spades" for Rex Stewart, "Echoes of Harlem" for Cootie Williams and "Clarinet Lament" for Barney Bigard.

In 1937 Ellington returned to the Cotton Club which had relocated to the mid-town theater district. In the summer of that year, his father died, and due to many expenses, Ellington's finances were tight. Things improved in 1938 and he met and moved in with Cotton Club employee Beatrice "Evie" Ellis. After splitting with agent Irving Mills, he signed on with the William Morris Agency. The 1930s ended with a very successful European tour just as World War II loomed.

Ellington delivered some huge hits during the 1930s, which greatly helped to build his overall reputation. Some of them include: "Mood Indigo" (1930), "It Don't Mean a Thing (If It Ain't Got That Swing)" (1932), "Sophisticated Lady" (1933), "Solitude" (1934), "In a Sentimental Mood" (1935), "Caravan" (1937), "I Let a Song Go Out of My Heart" (1938). "Take the "A" Train" which hit big in 1941, was written by Billy Strayhorn.

Strayhorn, originally hired as a lyricist, began his association with Ellington in 1939. Nicknamed "Swee' Pea" for his mild manner, Strayhorn soon became a vital member of the Ellington Organization. Ellington showed great fondness kept the Duke Ellington Orchestra going for Strayhorn and never failed to speak glowingly of the man and their collaborative working relationship, "my right arm, my left arm, all the eyes in the back of my head, my brain waves in his head, and his in mine". Strayhorn, with his training in classical music, not only contributed his original lyrics and music, but also arranged and polished many of Ellington's works, becoming a second Ellington or "Duke's doppelganger". It was not uncommon for Strayhorn to fill in for Duke, whether in conducting or rehearsing the band, playing the piano, on stage, and in the recording studio.

Duke in the 1940s

The band reached a creative peak in the early 1940s, when Ellington and a small hand-picked group of his composers and arrangers wrote for an orchestra of distinctive voices who displayed tremendous creativity.

Some of the musicians created a sensation in their own right. The short-lived Jimmy Blanton transformed the use of double bass in jazz, allowing it to function as a solo rather than a rhythm instrument alone. Ben Webster, the Orchestra's first regular tenor saxophonist, started a rivalry with Johnny Hodges as the Orchestra's foremost voice in the sax section. Ray Nance joined, replacing Cootie Williams (who had "defected", contemporary wags claimed, to Benny Goodman). Nance, however, added violin to the instrumental colors Ellington had at his disposal.

Three-minute masterpieces flowed from the minds of Ellington, Billy Strayhorn, Ellington's son Mercer Ellington, Mary Lou Williams and members of the Orchestra. "Cotton Tail", "Main Stem", "Harlem Airshaft", "Sidewalks of New York (East Side, West Side)", "Jack the bear", and dozens of others date from this period.

Privately made recordings of Nance's first concert date, at Fargo, North Dakota, on November 7, 1940 by Jack Towers and Dick Burris, are probably the most effective display of the band during this period. These recordings, later released as ''Duke Ellington at Fargo, 1940 Live'', are among the first of innumerable live performances which survive, made by enthusiasts or broadcasters, significantly expanding the Ellington discography.

Ellington's long-term aim became to extend the jazz form from the three-minute limit of the 78 rpm record side, of which he was an acknowledged master. He had composed and recorded ''Creole Rhapsody'' as early as 1931 (issued as both sides of 12" record for Victor and both sides of a 10" record for Brunswick), and his tribute to his mother, "Reminiscing in Tempo," had filled four 10" record sides in 1935; however, it was not until the 1940s that this became a regular feature of Ellington's work.

In this, he was helped by Strayhorn, who had enjoyed a more thorough training in the forms associated with classical music than Ellington. The first of these, "Black, Brown, and Beige" (1943), was dedicated to telling the story of African-Americans, and the place of slavery and the church in their history. Ellington debuted ''Black, Brown and Beige'' in Carnegie Hall on January 23, 1943, beginning a series of concerts there suited to displaying Ellington's longer works. While some jazz musicians had played at Carnegie Hall before, few had performed anything as elaborate as Ellington’s work.

Unfortunately, starting a regular pattern, Ellington's longer works were generally not well-received. ''Jump for Joy'', a full-length musical based on themes of African-American identity, debuted on July 10, 1941 at the Mayan Theater in Los Angeles. Although it had the support of the Hollywood establishment, and received mostly positive reviews, its socio-political outlook provoked a negative reaction among some members of the public. It ran for 122 performances until September 29, 1941, with a brief revival in November of that year. Its subject matter did not make it appealing to Broadway, despite Ellington's plans to take it there.

The settlement of the first recording ban of 1942–43 had a serious effect on all the big bands because of the increase in royalty payments to musicians which resulted from it. The financial viability of Ellington's Orchestra came under threat, though Ellington's income as a songwriter ultimately subsidized it. Ellington always spent lavishly and although he drew a respectable income from the Orchestra's operations, the band's income often just covered expenses.

The music industry's focus shifted away from the Big Bands to the work of solo vocalists such as the young Frank Sinatra, Ella Fitzgerald, Billie Holliday and mainstream groups like The Andrews Sisters as World War II drew to a close. While Ellington had featured some of the most talented singers of the day fronting his orchestra, he and his band took a back seat to no one, which set him down a path that put him increasingly at odds with the growing recording industry which was profiting from celebrity singers who were cheaper to keep than a big band, and produced bigger revenues.

By the mid 1940s, artists were creatively changing. One of Ellington's composer-arrangers, Mary Lou Williams, left Ellington in 1943 and by 1945 was working with Dizzy Gillespie on a new form of jazz music, "Bebop."

Bebop rebelled against mainstream jazz and the strict forms of which Ellington was perhaps its most well known standard-bearer. The music, which had redefined the American sound over 35 years, was about to be shaken up.

It would take another ten years for Bebop to begin catching on with jazz aficionados world-wide, but it was an early hit with club owners of smaller venues who could draw the jazz form's growing audiences in New York City at a fraction of the cost of hosting a big band, particularly one of Ellington's caliber. Newer, smaller bands and splinter forms of music increasingly put pressure on the bigger clubs who paid out increasingly more to maintain their big bands. Ellington's elite band was a costly enterprise that, along with his excessive personal spending, always teetered on the brink of break-even. The new music trends eventually pushed it over the edge and put Ellington out on the road in search of venues that could afford to showcase his music.

Bebop was also a huge shift for young talent, from Charlie Parker to John Coltrane to Thelonious Monk who did not embrace Big Band and sought out new creative frontiers, redefining "modern" jazz music forever. Ellington did not recruit or embrace these new artists and change with the times.

In 1950, another emerging musical trend, the African-American popular music style known as Rhythm and Blues driven by a new generation of composers and musicians like Fats Domino drew away young audiences from both the African-American and white communities, and ultimately unified those audiences as R&B morphed into Rock & Roll which expanded the cults of the singers from the Big Band era to the singer/songwriters from Domino to Elvis Presley to Buddy Holly. Again, Ellington did not embrace the new musical form, leaving him further in the growing dust cloud of musical history.

Ellington continued on his own course through these tectonic shifts in the music business. He did not wholly resist trends while trying to turn out major works. The Kay Davis vocal feature "Transblucency" was an attempt to cater to the singer-centric music world. He still performed major extended compositions such as ''Harlem'' (1950), whose score he presented to music-loving President Harry Truman, but these works were rapidly becoming reflections of his greatness in the 1930s and 1940s, and not ground-breaking works that rattled the music world back into the Big Band camp.

In 1951, Ellington suffered a major loss of personnel, with Sonny Greer, Lawrence Brown, and most significantly Johnny Hodges, leaving to pursue other ventures. Lacking overseas opportunities and motion picture appearances, Ellington's Orchestra survived on "one-nighters" and whatever else came their way.

By the summer of 1955 the band was performing for six weeks at the Aquacade in Flushing, New York, where Ellington is supposed to have "invented" a drink known as "The Tornado," the only alcoholic concoction that features his signature Coca-Cola and sugar.

Ellington's hope that television would provide a significant new outlet for his type of jazz was not fulfilled. Tastes and trends had moved on without him. The introduction of the 33 1/3 rpm LP record and hi-fi phonograph though, did give new life to many of his older compositions. However by 1955, after three years of recording for Capitol, Ellington no longer had a regular recording affiliation.

Career revival

The music business' increasing factionization into specific forms of rock-and-roll, country, bluegrass, or jazz broke down into even more sub-sets, and opened the door for the second act in Duke Ellington's career. An international fascination with Jazz re-opened the door at record labels to artists like Ellington and Louis Armstrong who had found themselves out of step with the times for the last half-decade. The Ellington who was too big or too proud to change would now appear with a variety of artists from the different jazz forms.

Ellington's appearance at the Newport Jazz Festival on July 7, 1956 returned him to wider prominence and exposed him to new audiences. The feature "Diminuendo and Crescendo in Blue", with saxophonist Paul Gonsalves's six-minute saxophone solo, had been in the band's book since 1937, but on this occasion nearly created a riot. The revived attention should not have surprised anyone – Hodges had returned to the fold the previous year, and Ellington's collaboration with Strayhorn had been renewed around the same time, under terms more amenable to the younger man. ''Such Sweet Thunder'' (1957), based on Shakespeare's plays and characters, and ''The Queen's Suite'', dedicated to Queen Elizabeth II, were products of the renewed impetus which the Newport appearance helped to create.

A new record contract with Columbia produced Ellington's best-selling LP ''Ellington at Newport'' and yielded six years of recording stability under producer Irving Townsend, who coaxed both commercial and artistic productions from Ellington. In 1957, CBS (Columbia's parent corporation) aired a live television production of ''A Drum Is a Woman'', an allegorical suite which received mixed reviews. Festival appearances at the new Monterey Jazz Festival and elsewhere provided venues for live exposure, and a European tour in 1958 was wildly received.

After a 25-year gap, Ellington (with Strayhorn) returned to work on film scores, this time for ''Anatomy of a Murder'' (1959) and ''Paris Blues'' (1961). Ellington and Strayhorn, always looking for new musical territory, produced adaptations of John Steinbeck's novel ''Sweet Thursday'', Tchaikovsky's ''Nutcracker Suite'' and Edvard Grieg's ''Peer Gynt''. The late 1950s also saw Ella Fitzgerald record her ''Duke Ellington Songbook'' with Ellington and his orchestra—a recognition that Ellington's songs had now become part of the cultural canon known as the "Great American Songbook".

''Detroit Free Press'' music critic Mark Stryker concludes that the work of Billy Strayhorn and Ellington in ''Anatomy of a Murder'', the trial court drama film directed by Otto Preminger in 1959, is "indispensable, [although] . . . too sketchy to rank in the top echelon among Ellington-Strayhorn masterpiece suites like ''Such Sweet Thunder'' and ''The Far East Suite'', but its most inspired moments are their equal." Film historians have recognized the soundtrack "as a landmark – the first significant Hollywood film music by African Americans comprising non-diegetic music, that is, music whose source is not visible or implied by action in the film, like an on-screen band." The score avoided the cultural stereotypes which previously characterized jazz scores and rejected a strict adherence to visuals in ways that presaged the New Wave cinema of the ’60s".

In the early 1960s, Ellington embraced recording with artists who had been fierce rivals of the past, or who had been young artists from the Bebop beginnings whom he did not associate with. The Ellington and Count Basie orchestras recorded together. During a period when he was between recording contracts he made records with Louis Armstrong (Roulette), Coleman Hawkins, John Coltrane (both for Impulse) and participated in a session with Charles Mingus and Max Roach which produced the ''Money Jungle'' (United Artists) album.

Ironically, the singer most responsible for setting off the changes that brought an end to the big band era became Ellington's salvation. He signed to Frank Sinatra's new Reprise label. Musicians who had previously worked with Ellington returned to the Orchestra as members: Lawrence Brown in 1960 and Cootie Williams in 1962.

The international mania for jazz reinstated Ellington as one of the highest earning artists in jazz. He performed all over the world; a significant part of each year was now spent making overseas tours.

He formed notable new working relationships with international artists from around the world, including the Swedish vocalist Alice Babs, and South African musicians Dollar Brand and Sathima Bea Benjamin (''A Morning in Paris'', 1963/1997).

His earlier hits became big sellers in the rediscovery of the music world-wide, earning Ellington impressive royalties.

"The writing and playing of music is a matter of intent.... You can't just throw a paint brush against the wall and call whatever happens art. My music fits the tonal personality of the player. I think too strongly in terms of altering my music to fit the performer to be impressed by accidental music. You can't take doodling seriously."

Last years

Ellington was nominated for a Pulitzer Prize in 1965, but was turned down. His reaction at 67 years old: "Fate is being kind to me. Fate doesn't want me to be famous too young." In September of the same year, the first of his Sacred Concerts was given its premiere. It was an attempt to fuse Christian liturgy with jazz, and even though it received mixed reviews, Ellington was proud of the composition and performed it dozens of times. This concert was followed by two others of the same type in 1968 and 1973, known as the Second and Third Sacred Concerts. This caused controversy in what was already a tumultuous time in the United States. Many saw the Sacred Music suites as an attempt to reinforce commercial support for organized religion, though Ellington simply said it was, "the most important thing I've done." The Steinway piano upon which the Sacred Concerts were composed is part of the collection of the Smithsonian's National Museum of American History. Like Haydn and Mozart, Ellington conducted his orchestra from the piano - he always played the keyboard parts when the Sacred Concerts were performed.

Ellington continued to make vital and innovative recordings, including ''The Far East Suite'' (1966), the ''New Orleans Suite'' (1970), and ''The Afro-Eurasian Eclipse'' (1971), much of it inspired by his world tours. It was during this time that Ellington recorded his only album with Frank Sinatra, entitled ''Francis A. & Edward K.'' (1967).

Ellington was awarded the Grammy Lifetime Achievement Award in 1966. He was later awarded several other prizes, the Presidential Medal of Freedom in 1969, an Honorary PhD from the Berklee College of Music in 1971, and the Legion of Honor by France in 1973, the highest civilian honors in each country.

Work in films and the theater

Ellington's film work began in 1929 with the short film ''Black and Tan''. ''Symphony in Black'' (1935) featured his extended piece 'A Rhapsody of Negro Life'. It introduced Billie Holiday, and won an Academy Award as the best musical short subject. He also appeared in the Amos 'n' Andy film ''Check and Double Check'' (1930). Ellington and his Orchestra continued to appear in films through the 1930s and 1940s, both in short films and in features such as ''Murder at the Vanities'' and ''Belle of the Nineties'' (1934), and ''Cabin in the Sky'' (1943). In the late 1950s, his work in films took the shape of scoring for soundtracks, notably ''Anatomy of a Murder'' (1959), with James Stewart, in which he appeared fronting a roadhouse combo, and ''Paris Blues'' (1961), which featured Paul Newman and Sidney Poitier as jazz musicians.

He wrote an original score for director Michael Langham's production of Shakespeare's ''Timon of Athens'' at the Stratford Festival in Ontario, Canada which opened on July 29, 1963. Langham has used it for several subsequent productions, most recently in an adaptation by Stanley Silverman which expands the score with some of Ellington's best-known works.

Ellington composed the score for the musical ''Jump For Joy'', which was performed in Los Angeles during 1941. Ellington's sole book musical, ''Beggar's Holiday'', was staged on Broadway in 1946. ''Sophisticated Ladies'', an award-winning 1981 musical revue, incorporated many tunes from his repertoire.

Personal life

Ellington married his high school sweetheart, Edna Thompson, on July 2, 1918, when he was 19. Shortly after their marriage, on March 11, 1919 Edna gave birth to their only son, Mercer Kennedy Ellington. Mercer played trumpet, led his own band and worked as his father's business manager, eventually taking full control of the band after Duke's death. He was an important archivist of his father's musical life.

Ellington's sister Ruth (1915–2004) later ran Tempo Music, Ellington's music publishing company. Ruth's second husband was the bass-baritone McHenry Boatwright, whom she met when he sang at her brother's funeral.

Ellington's eldest grandson Edward Kennedy Ellington II also is a musician and maintains a small salaried band known as the Duke Ellington Legacy, which frequently comprises the core of the big band operated by The Duke Ellington Center for the Arts.

Death

Ellington died of lung cancer and pneumonia on May 24, 1974, a month after his 75th birthday, and was interred in the Woodlawn Cemetery, The Bronx, New York City. At his funeral attended by over 12,000 people at the Cathedral of St. John the Divine, Ella Fitzgerald summed up the occasion, "It's a very sad day. A genius has passed." Mercer Ellington picked up the reins of the orchestra immediately after Duke's death. Ellington's last words were, "Music is how I live, why I live and how I will be remembered."

Legacy

Duke Ellington's work has come to be recognized as a cornerstone of American culture and heritage. He is widely regarded as the most important composer in jazz; he was also a galvanizing bandleader who inspired many of his musicians to produce their best work, whilst himself being a significant exponent of jazz piano. His works have been revisited by artists and musicians around the world both as a source of inspiration and a bedrock of their own performing careers. Ellington's compositions are now the staple of the repertoire of music conservatories, and even high school band programs that have embraced his music continue to give it life and voice.

His son, Mercer Ellington kept his big band alive after his passing. When Mercer died, Paul Ellington kept the Duke Ellington Orchestra going. It plays in concert halls around the world to this day.

Discography

Awards, honors and recognitions

Memorials

Numerous memorials have been dedicated to Duke Ellington, in cities from New York and Washington, D.C. to Los Angeles.

In Ellington's birthplace of Washington, D.C., there is a school dedicated to his honor and memory as well as one of the bridges over Rock Creek Park. The Duke Ellington School of the Arts educates talented students, who are considering careers in the arts, by providing intensive arts instruction and strong academic programs that prepare students for post-secondary education and professional careers. The Calvert Street Bridge was renamed the Duke Ellington Bridge; built in 1935, it connects Woodley Park to Adams Morgan.

On February 24, 2009, the United States Mint launched a new coin featuring Duke Ellington, making him the first African-American to appear by himself on a circulating U.S. coin. Ellington appears on the reverse ("tails") side of the District of Columbia quarter. The coin is part of the U.S. Mint's program honoring the District and the U.S. territories and celebrates Ellington's birthplace in the District of Columbia. Ellington is depicted on the quarter seated at a piano, sheet music in hand, along with the inscription "Justice for All", which is the District's motto.

Ellington lived for years in a townhouse on the corner of Manhattan's Riverside Drive and West 106th Street. After his death, West 106th Street was officially renamed Duke Ellington Boulevard. A large memorial to Ellington, created by sculptor Robert Graham, was dedicated in 1997 in New York's Central Park, near Fifth Avenue and 110th Street, an intersection named Duke Ellington Circle.

Although he made two more stage appearances before his death, Ellington performed what is considered his final "full" concert in a ballroom at Northern Illinois University on March 20, 1974. The hall was renamed the Duke Ellington Ballroom in 1980.

A statue of Ellington at a piano is featured at the entrance to UCLA's Schoenberg Hall. According to ''UCLA Magazine'':

He is one of only five jazz musicians ever to have been featured on the cover of ''Time'' (the other four being Louis Armstrong, Thelonious Monk, Wynton Marsalis, and Dave Brubeck).

The Essentially Ellington High School Jazz Band Competition and Festival is a nationally renowned annual competition for prestigious high school bands. Started in 1996 at Jazz at Lincoln Center, the festival is named after Ellington because of the large focus that the festival places on his works.

Tributes

Sathima Bea Benjamin - the South African vocalist wrote "Gift of Love", in memory of Duke Ellington, for her 1987 album ''Love Light''.

Dave Brubeck - dedicated "The Duke" (1954) to Ellington and it became a standard covered by others, both during Ellington's lifetime (such as by Miles Davis on ''Miles Ahead'', 1957) and posthumously (such as George Shearing on ''I Hear a Rhapsody: Live at the Blue Note'', 1992). The album The Real Ambassadors has a vocal version of this piece, ''You Swing Baby (The Duke)'', with lyrics by Iola Brubeck, Dave's wife. It is performed as a duet between Louis Armstrong and Carmen McRae. It is also dedicated to Duke Ellington.

Tony Bennett frequently altered the lyrics to "Lullaby of Broadway" in live performance, to sing, "You rock-a-bye your baby 'round/to Ellington or Basie," as a personal tribute to the two jazz masters.

Judy Collins - wrote "Song For Duke" in 1975, and included it on her album ''Judith''.

Miles Davis - one month after Ellington's death, created his half-hour dedicated dirge "He Loved Him Madly" (1974) collected on ''Get Up with It''.

The jazz-influenced band Steely Dan recorded a note-for-note version of an early Ellington standard, "East St. Louis Toodle-oo," on their album ''Pretzel Logic'', released in 1974, using treated slide guitars to re-create the plunger-muted "jungle sound" of the original Ellington horns.

Stevie Wonder - wrote the song "Sir Duke" as a tribute to Ellington in 1976.

Charles Mingus - composed "Open Letter to Duke" and "Duke Ellington's Sound of Love"

Lorraine Feather - has composed lyrics to many of Ellington's instrumental compositions,recorded on CD's including "Dooji Wooji" and "Such Sweet Thunder."

The Modern Jazz Quartet composed two original Ellington tributes for their album ''For Ellington''.

There are hundreds of albums dedicated to the music of Duke Ellington and Billy Strayhorn by artists famous and obscure. The more notable artists include Sonny Stitt, Thelonious Monk, Dizzy Gillespie, Tony Bennett, Claude Bolling, Oscar Peterson, Toshiko Akiyoshi, Dick Hyman, Joe Pass, Milt Jackson, Earl Hines, André Previn, World Saxophone Quartet, Ben Webster, Zoot Sims, Kenny Burrell, Lambert, Hendricks and Ross, Martial Solal, Clark Terry and Randy Weston.

Homage from critics

Gunther Schuller wrote, "Ellington composed incessantly to the very last days of his life. Music was indeed his mistress; it was his total life and his commitment to it was incomparable and unalterable. In jazz he was a giant among giants. And in twentieth century music, he may yet one day be recognized as one of the half-dozen greatest masters of our time."

Martin Williams said "Duke Ellington lived long enough to hear himself named among our best composers. And since his death in 1974, it has become not at all uncommon to see him named, along with Charles Ives, as the greatest composer we have produced, regardless of category."

In 2002, scholar Molefi Kete Asante listed Duke Ellington on his list of 100 Greatest African Americans.

Andre Previn said, "You know, Stan Kenton can stand in front of a thousand fiddles and a thousand brass and make a dramatic gesture and every studio arranger can nod his head and say, ‘‘Oh, yes, that’s done like this.’’ But Duke merely lifts his finger, three horns make a sound, and I don’t know what it is!"

Awards

Grammy Awards

Ellington earned 12 Grammy awards from 1959 to 2000, nine while he was alive. {| class=wikitable |- | colspan=5 align=center | Duke Ellington Grammy Award History |- ! Year ! Category ! Title ! Genre ! Result |- align=center | 1999 | Historical Album | The Duke Ellington Centennial EditionRCA Victor Recordings (1927–1973) | Jazz | Winner |- align=center | 1979 | Best Jazz Instrumental Performance, Big Band | Duke Ellington At Fargo, 1940 Live | Jazz | Winner |- align=center | 1976 | Best Jazz Performance By A Big Band | ''The Ellington Suites'' | Jazz | Winner |- align=center | 1972 | Best Jazz Performance By A Big Band | ''Togo Brava Suite'' | Jazz | Winner |- align=center | 1971 | Best Jazz Performance By A Big Band | ''New Orleans Suite'' | Jazz | Winner |- align=center | 1968 | Best Instrumental Jazz Performance - Large GroupOr Soloist With Large Group | ''...And His Mother Called Him Bill'' | Jazz | Winner |- align=center | 1967 | Best Instrumental Jazz Performance, Large GroupOr Soloist With Large Group | ''Far East Suite'' | Jazz | Winner |- align=center | 1966 | Best Original Jazz Composition | "In The Beginning God" | Jazz | Winner |- align=center | 1965 | Best Instrumental Jazz Performance -Large Group Or Soloist With Large Group | ''Ellington '66'' | Jazz | Winner |- align=center | 1959 | Best Performance By A Dance Band | ''Anatomy of a Murder'' | Pop | Winner |- align=center | 1959 | Best Musical Composition First RecordedAnd Released In 1959(More Than 5 Minutes Duration) | ''Anatomy of a Murder'' | Composing | Winner |- align=center | 1959 | Best Sound Track Album - Background ScoreFrom A Motion Picture Or Television | ''Anatomy of a Murder'' | Composing | Winner |- align=center |}

Grammy Hall of Fame

Recordings of Duke Ellington were inducted into the Grammy Hall of Fame, which is a special Grammy award established in 1973 to honor recordings that are at least twenty-five years old, and that have "qualitative or historical significance."

{| class=wikitable |- | colspan=5 align=center | Duke Ellington: Grammy Hall of Fame Award |- ! Year Recorded ! Title ! Genre ! Label ! Year Inducted |- align=center | 1932 | "It Don't Mean a Thing (If It Ain't Got That Swing)" | Jazz (Single) | Brunswick | 2008 |- align=center | 1934 | "Cocktails for Two" | Jazz (Single) | Victor | 2007 |- align=center | 1957 | ''Ellington at Newport'' | Jazz (Album) | Columbia | 2004 |- align=center | 1956 | "Diminuendo and Crescendo in Blue" | Jazz (Single) | Columbia | 1999 |- align=center | 1967 | ''Far East Suite'' | Jazz (Album) | RCA | 1999 |- align=center | 1944 | ''Black, Brown and Beige'' | Jazz (Single) | RCA Victor | 1990 |- align=center | 1928 | "Black and Tan Fantasy" | Jazz (Single) | Victor | 1981 |- align=center | 1941 | "Take the "A" Train" | Jazz (Single) | Victor | 1976 |- align=center | 1931 | "Mood Indigo" | Jazz (Single) | Brunswick |1975 |- align=center |}

Honors and inductions

{| class=wikitable |- ! Year ! Category ! Notes |- align=center | 2009 | Commemorative U.S. quarter | D.C. and U.S. Territories Quarters Program. |- align=center | 2008 | Gennett Records Walk of Fame |- align=center | 2004 | Nesuhi Ertegün Jazz Hall of Fameat Jazz at Lincoln Center |- align=center | 1999 | Pulitzer Prize | Special Citation |- align=center | 1986 | 22¢ commemorative U.S. stamp | Issued April 29, 1986 |- align=center | 1978 | Big Band and Jazz Hall of Fame |- align=center | 1973 | French Legion of Honor | July 6, 1973 |- align=center | 1973 | Honorary Degree in Music from Columbia University | May 16, 1973 |- align=center | 1971 | Honorary Doctorate Degree from Berklee College of Music |- align=center | 1971 | Songwriters Hall of Fame |- align=center | 1969 | Presidential Medal of Freedom |- align=center | 1956 | Down Beat Jazz Hall of Fame inductee |- align=center | 1968 | Grammy Trustees Award | Special Merit Award |- align=center | 1966 | Grammy Lifetime Achievement Award |- align=center | 1959 | NAACP Spingarn Medal |}

Notes

Bibliography (further reading)

Cohen, Harvey G. ''Duke Ellington's America.'' Chicago: University of Chicago Press, 2010. ISBN 978-0-226-11263-3

Collier, James Lincoln. ''Duke Ellington''. New York & Oxford: Oxford University Press, 1987. ISBN 0-19-503770-7

Dailey, Raleigh. "Ellington as a Composer for the Piano," in ''Jazz Research Proceedings Yearbook,'' #31 (Jan.2001), pp. 151–156.

Dance, Stanley. ''The World Of Duke Ellington''. New York: Simon & Schuster, 1970. ISBN 0-306-80136-1

Ellington, Duke. ''Music Is My Mistress''. New York: Da Capo, 1976 ISBN 0-7043-3090-3

Ellington, Mercer. ''Duke Ellington In Person''. Boston: Houghton Mifflin, 1978. ISBN 0-395-27511-5.

Hajdu, David, ''Lush Life: A Biography of Billy Strayhorn''. New York: Farrar, Strauss & Giroux, 1996. ISBN 978-0-86547-512-0.

Hasse, John Edward. ''Beyond Category: The Life and Genius of Duke Ellington''. New York: Da Capo, 1995. ISBN 0-306-80614-2

Lawrence, A. H. ''Duke Ellington and His World: A Biography''. New York: Routledge, 2001. ISBN 0-415-93012-X

Schuller, Gunther. ''Early Jazz: Its Roots and Musical Development''. New York: Oxford University Press, 1986. ISBN 978-0-19-504043-2. Especially pp. 318–357.

Schuller, Gunther. ''The Swing Era: The Development Of Jazz, 1930-1945''. New York: Oxford University Press, 2005. ISBN 9780195072405. Esp. pp. 46–157.

Gilles Tordjman, François Billard, ''Duke Ellington'', Le Seuil, Paris, 1994. ISBN 978-2-02-013700-3

Terkel, Studs (2002), Giants of Jazz (2nd ed.), New York: The New Press, ISBN 978-1-56584-769-9.

Tucker, Mark. ''Ellington, The Early Years'', University of Illinois Press, 1991. ISBN 0-252-01425-1

Tucker, Mark. ''The Duke Ellington Reader''. New York: Oxford University Press, 1993 ISBN 978-0-19-509391-9 .

Ulanov, Barry. ''Duke Ellington'', Creative Age Press, 1946.

Weisbard, Eric, ed.. ''This Is Pop: In Search of the Elusive at Experience Music Project''. Cambridge: Harvard University Press, 2004. ISBN 0-674-01344-1.

Reference works (discographies, filmographies, etc.)

Massagli, Luciano and Volonté, Giovanni. ''The New Desor: Duke Ellington's Story on Records Parts One and Two'', 1999, Milan, Italy. Privately published two part discography with no ISBN number. The most comprehensive Ellington discography for sessions and record issues.

Stratemann, Dr. Klaus. ''Duke Ellington: Day by Day and Film by Film''. Copenhagen: JazzMedia, 1992. ISBN 87-88043-34-7 Covers all of Duke's travels and films from the 1929 short film ''Black and Tan'' onwards

Timner, W.E.. ''Ellingtonia: The Recorded Music of Duke Ellington and His Sidemen''. 5^th ed. Lanham, Md. & Toronto: Scarecrow Press, 2007. ISBN 0-8108-5889-4 Has a unique discography of Ellington's sidemen.

External links

Official website

Official family website

Symphony In Black (discussion and film)

Duke Ellington Biography, in ''Down Beat Magazine''.

Duke Ellington Collection: Smithsonian National Museum of American History, Archive Center.

A Duke Ellington Panorama; including detailed discography.

The Duke Ellington Society, TDES, Inc

Duke Ellington: 20th International Conference. May 2008, London.

Duke Ellington Orchestra at Wenig-LaMonica Associates

Category:1899 births Category:1974 deaths Category:African American musicians Category:American autobiographers Category:American jazz composers Category:American jazz pianists Category:Big band bandleaders Category:Columbia Records artists Category:Decca Records artists Category:Gennett recording artists Category:Red Baron Records artists Category:Grammy Award winners Category:Grammy Lifetime Achievement Award winners Category:Légion d'honneur recipients Category:Musicians from Washington, D.C. Category:Presidential Medal of Freedom recipients Category:RCA Victor artists Category:Songwriters Hall of Fame inductees Category:Swing pianists Category:American Episcopalians Category:Cancer deaths in New York Category:Deaths from lung cancer Category:Burials at Woodlawn Cemetery (The Bronx) Category:Spingarn Medal winners Category:American pianists Category:Jazz record producers

an:Duke Ellington bs:Duke Ellington bg:Дюк Елингтън ca:Duke Ellington cv:Дюк Эллингтон cs:Duke Ellington da:Duke Ellington de:Duke Ellington et:Duke Ellington el:Ντιούκ Έλινγκτον es:Duke Ellington eo:Duke Ellington eu:Duke Ellington fa:دوک الینگتون fr:Duke Ellington gl:Duke Ellington ko:듀크 엘링턴 hr:Duke Ellington io:Duke Ellington id:Duke Ellington is:Duke Ellington it:Duke Ellington he:דיוק אלינגטון ka:დიუკ ელინგტონი sw:Duke Ellington la:Dux Ellington lv:Djūks Elingtons lb:Duke Ellington lt:Duke Ellington hu:Duke Ellington nl:Duke Ellington ja:デューク・エリントン no:Duke Ellington nn:Duke Ellington oc:Duke Ellington nds:Duke Ellington pl:Duke Ellington pt:Duke Ellington ro:Duke Ellington ru:Эллингтон, Дюк scn:Duke Ellington simple:Duke Ellington sk:Duke Ellington sl:Duke Ellington sh:Duke Ellington fi:Duke Ellington sv:Duke Ellington tl:Duke Ellington th:ดุค เอลลิงตัน tr:Duke Ellington uk:Дюк Еллінгтон zh:艾靈頓公爵

Juan Tizol (22 January 1900 – 23 April 1984) was a Puerto Rican trombonist and composer.

He was born in Vega Baja, Puerto Rico. Music was a large part of his life from an early age. His first instrument was the violin, but he soon switched to valve trombone, the instrument he would play throughout his career. His musical training came mostly from his uncle Manuel Tizol, who was the director of the municipal band and the symphony in San Juan. Throughout his youth, Juan played in his uncle’s band and also gained experience by playing in local operas, ballets and dance bands. In 1920, Juan joined a band that was traveling to the United States to work in Washington D.C. The group eventually made it to Washington (traveling as stowaways) and established residence at the Howard Theater where they played for touring shows and silent movies. At the Howard they also were hired to play in small jazz or dance groups. This is where Juan first came in contact with Edward Kennedy "Duke" Ellington.

Tizol got the call to join the Ellington band in the summer of 1929. Arthur Whetsol, a trumpeter whom Juan played with in the White Brothers’ Band, apparently made the recommendation. Juan sat beside Joe "Tricky Sam" Nanton in the two-man trombone section and became the fifth voice in the brass section of Ellington’s orchestra. This opened up new possibilities for Duke’s writing, as he now could write for trombones as a section instead of just having them play with the trumpets. Juan’s rich, warm tone also blended nicely with the saxophone section, so he was often scored carrying the lead melody with the saxes. Along with his distinctive sound, Juan was also known for being one of the best sight-readers and over all musicians in the band. He played with fierce accuracy and was considered to be the solid rock of the trombone section through the years. He was not a major improviser in the band, but he was often featured playing written out solos that displayed his masterful technique and agility on the horn.

Juan made many contributions to the Ellington band throughout the 1930s and 40s. One of his major roles in the band was copying parts from Ellington’s scores. Tizol spent many hours and sometimes days extracting parts that needed to by written out for upcoming shows. Besides copying, Juan also was a band composer. His best known compositions, "Caravan" (1936) and "Perdido" (1941), are still played by jazz musicians today. Tizol was responsible for bringing Latin influences into the Ellington band with compositions such as "Moonlight Fiesta", "Jubilesta", "Conga Brava", and others. He also played valide trombone.

Juan left Ellington’s band in 1944 to play in the Harry James Orchestra. The main reason for this was to allow him to spend more time with his wife who lived in Los Angeles. In 1951, he returned to Ellington, along with James's drummer and alto saxophonist, in what became known as 'the James raid'. However, he returned to James’ band in 1953 and remained predominantly on the West Coast for the remainder of his career. In Los Angeles he played sporadically with Harry James, Nelson Riddle, and on the Nat “King” Cole television show. Juan returned very briefly to Ellington’s band in the early 60s, but eventually retired in Los Angeles. He died on April 23, 1984 in Inglewood, California, two years after the death of his wife, Rosebud.

References

Dietrich, Kurt. Duke's Bones. Germany: Advance Music, 1995. Print.

Sarrano, Basilio. "Juan Tizol: His talents, his collaborators, his legacy." Centro Journal Vol XVIII. Number 11 (2006). Print.

External links

[ All Music]

Music of Puerto Rico

Spaceagepop

Category:1900 births Category:Swing trombonists Category:Puerto Rican jazz musicians Category:People from San Juan, Puerto Rico Category:1984 deaths Category:Duke Ellington Orchestra members

de:Juan Tizol eo:Juan Tizol it:Juan Tizol nl:Juan Tizol ru:Тизол, Хуан fi:Juan Tizol sv:Juan Tizol

Name	Busta Rhymes
Religion	Islam
Background	solo_singer
Birth name	Trevor Tahiem Smith, Jr.
Alias
Birth date	May 20, 1972
Origin	Brooklyn, New York, United States
Occupation	Rapper, Actor
Genre	Hip hop
Years active	1989–present
Label	Conglomerate Records
Associated acts	Leaders of the New School, Flipmode Squad, Spliff Star, Def Squad, Wu-Tang Clan, DMX, A Tribe Called Quest, Q-Tip, Mary J.Blige, J Dilla, Missy Elliott, Rampage The Last Boy Scout, Mariah Carey, Dr. Dre, Game, Chris Brown, Lil Wayne
Website	Official Website }}

Trevor Tahiem Smith, Jr., better known by his stage name Busta Rhymes (born May 20, 1972), is an American rapper, producer and actor. Chuck D of Public Enemy gave him the alias Busta Rhymes after NFL wide receiver George "Buster" Rhymes. Early in his career, he was known for his wild style and fashion, and today is best known for his highly skilled rapping technique, which involves rapping at a much faster rate, and to date has received nine Grammy nominations for his musical work.

Early life

Busta was born in Red Hook, Brooklyn, New York, to Jamaican parents Geraldine Green and Trevor Smith in 1972. Smith attended George Westinghouse Information and Technology High School, alongside with Jay-Z, DMX and The Notorious B.I.G. He went to Uniondale High School on Long Island, graduating in 1990.

Music career

Hip-hop crew Leaders of the New School began recording in 1989 and released their debut album ''A Future Without a Past'' in 1991 on Elektra Records. In early 1992 the group appeared on A Tribe Called Quest's posse cut "Scenario," in which Busta's climactic verse propelled him into the cultural consciousness. In 1993, they released ''T.I.M.E. (The Inner Mind's Eye)''. Soon after, however, internal problems arose because of Busta's increasing popularity, and the group broke up on the set of ''Yo! MTV Raps''.

The Coming & When Disaster Strikes (1996-1997)

Busta broke out with a 1996 solo hit single, "Woo Hah!! Got You All in Check" from his platinum record album ''The Coming''. His second album, ''When Disaster Strikes'', released in 1997, produced the hit singles "Put Your Hands Where My Eyes Could See" and "Fire It Up".

Extinction Level Event (Final World Front) (1998-1999)

In 1998, Busta recorded ''Extinction Level Event (Final World Front)''. Its lead single, "Gimme Some More" — which sampled Bernard Herrmann's theme from ''Psycho'' — reached number 6 in the UK singles chart in January 1999. Busta enjoyed further transatlantic success in April when the single "What's It Gonna Be?!", featuring Janet Jackson, reached the US and UK Top 11. The album received prominent notice for featuring the fastest rapping Busta has ever performed, particularly on a song called "Iz They Wildin Wit Us?", featuring a guest appearance by Mystikal.

J/Arista/BMG

Anarchy & Genesis (2000-2001)

After Busta signed to J Records, a label started by the then recently ousted Arista Records chief and founder Clive Davis, he released a greatest hits collection alongside a new album of original work. Continuing the Biblical theme of his previous albums, he titled his record ''Genesis''. The album featured collaborations with Mary J. Blige, P. Diddy, Kelis, and others. Genesis was powered by the hit single with Kelis, "What It Is," and his solo single released in November 2001, "Break Ya Neck." The final single was the summer smash "Pass the Courvoisier, Part II", which featured Pharrell and P. Diddy. Despite the success of the two singles, this album did not sell as well as previous releases.

It Aint Safe No More (2002-2004)

In 2002, Busta released his sixth studio album ''It Ain't Safe No More''. The album was moderately successful, with a hit song featuring Mariah Carey and the Flipmode Squad called "I Know What You Want". Another hit song was "Make It Clap", featuring Spliff Starr. The remix of "Make It Clap" featured Sean Paul. After its release, he left J Records. In 2004, he signed with Dr. Dre's Aftermath Entertainment.

Aftermath/Interscope

The Big Bang (2006)

His seventh studio album, ''The Big Bang'', became the first #1 album of his career. The CD sold over 209,000 copies in its first week to earn the top spot on The Billboard Top 200. The album also became his highest charting album in the UK, peaking at #19. Some of the album was leaked on the Internet, and as a result several songs were left off the album and new ones added. ''The Big Bang'' featured more production by Dr. Dre than Busta's previous releases, as well as appearances by Raekwon and Nas. The singles that have been released from the album are, "Touch It", "I Love My Chick", featuring Kelis and Will.I.Am, "New York Shit",featuring Swizz Beatz and "In The Ghetto". Busta also had a stint opening for Mariah Carey's The Adventures of Mimi Tour. Also, Busta performed with Eminem on "Touch It Remix Part 5" and performed a verse on the aforementioned rapper's song, "I'll Hurt You". On July 17, 2008, Busta left Interscope/Aftermath due to a creative clash with Interscope head Jimmy Iovine.

Universal Motown

Back on My B.S. (2007-2009)

He also made a song featuring Linkin Park called "We Made It". It was later revealed that Busta inked a deal with Universal Motown, who released his eighth studio album, ''Back on My B.S.'', on May 19, 2009. He also appeared on Asher Roth's debut album, ''Asleep in the Bread Aisle''. The album debuted at #5 on the Billboard 200, selling 56,000 copies, and was his first album to not receive an RIAA certification, selling 122,000 copies to date. The singles that have been released from the album are, "Arab Money", featuring Ron Browz, "Hustler's Anthem '09", featuring T-Pain and "Respect My Conglomerate". The song "World Go Round", featuring British singer Estelle, was released in France on April 6, 2009 due to the heavy rotation of a leaked version. The single was released in the UK on July 13, 2009. Due to controversial content, the United Arab Emirates (UAE) has banned the album. ''Back on My B.S.'' was released internationally, but because of one song, "Arab Money", it is not available to buy as a CD there (however, the album can still be purchased via iTunes). According to the National Media Council, the lyrics were considered to be offensive to Arabs and to Islam, and permission for distribution was therefore denied. Some DJs, artists and fans have lambasted the track, saying it portrayed Arabs in a stereotypical way. The first part out of three of the remix by Rhymes contains verses from the Quran. In November, when "Arab Money" was released as a single, DJ Dany Neville and the Iraqi rapper The Narcicyst responded by recorded a reply. Busta later apologized. DJs in the country said they had not received an order banning the record from being spun in nightclubs, and they had mixed feelings on whether the record was offensive or not. DJ Saif of Dubai said: The Emirati DJ Bliss, who has his own show on Radio 1 in Dubai, also says he no longer plays "Arab Money". He added:

Conglomerate Records & E.L.E. 2 (2010-present)

Busta announced that he was working on his ninth studio album, alongside Canadian producer Boi-1da, entitled ''The Chemo''. He says that his next project is 80 percent finished. Busta has reportedly changed the title of his forthcoming Chemo album to Extinction.Level.Event.2 (E.L.E. 2). Some new songs are being considered for the album, including "C'mon (Catch 'Em By Surprise) by Tiësto and Diplo and "Look at Me Now" alongside Chris Brown and Lil Wayne. The trend of album sequels continues with Busta adding another chapter to his 1998 opus E.L.E. (Extinction Level Event): The Final World Front. Busta's manager Chris Lighty sent out the message via Twitter. He said; "Extinction.Level.Event 2 ......prepare yourself." Like the first, E.L.E. 2 is inspired by movies of impending destruction on planet Earth, Lighty said; "From the Intro of the new Busta Album you're going to know you're in trouble and you just turned on 2012 the movie on warp speed,".

DJ Premier, in an August 6, 2010 interview on Conspiracy Worldwide Radio said Busta Rhymes has received over eight beats which he didn't want to use but Premier hoped his next beat would be chosen for inclusion on the album. On DJ Premier's Live From Headqcourterz radio show Premier confirmed that one of his beats were to be included in ''E.L.E. 2''. In 2010, Busta Rhymes formed his new label Conglomerate Records (With later on having rosters such as N.O.R.E., and Spliff Star). He was featured on C'mon (Catch 'Em By Surprise) by Tiësto and Diplo.

Also in, 2011 Rhymes has recorded a song with Chris Brown.

In 2011, Rhymes recorded "Look at Me Now" with Chris Brown and Lil Wayne on Brown's F.A.M.E. album

On May 1, 2011 Rhymes appeared on the launch show for MNET's Big Brother Africa 6: Amplified and performed some of his songs.

In 2011, Busta Rhymes performed at the Gathering of the Juggalos.

Personal life

Religion

Busta Rhymes is Muslim and talked about it in an interview in Hollywood TV.

Busta had been a member of The Nation of Gods and Earths since the age of 15.

Legal issues

On August 20, 2006, he was arraigned for charges of third-degree assault after attacking a man who reportedly spat on his car in New York City on August 12 after the AmsterJam Music Festival on Randall's Island.

On October 24, 2006, he appeared at Manhattan Criminal Court as the district attorney's office attempted to amend previous charges against him to include weapons possession for a machete found in his car. The judge, ShawnDya Simpson, refused to add the charge and adjourned the case.

On February 20, 2007, Busta refused a plea deal offered by the prosecutors office for the assault of his former driver, Edward Hatchett. The deal would have entailed six months in jail and pleading guilty to two assaults, the attack on Hatchett, and the attack on the former fan. The dispute with Hatchett is believed to have originated over back pay Hatchett felt he was owed. Manhattan Criminal Court Judge Becki Rowe offered Busta another option, pleading guilty to third-degree assault. The conditions of the proposed sentence would include five days of community service, two weeks of youth lectures and six months of anger management classes, as well as three years of probation. On March 18, 2008 a judge in New York City sentenced Busta to three years' probation, 10 days' community service, $1250 in fines (plus court costs), and to enroll in a drunken driving program.

On September 25, 2008, he was temporarily refused entry to the United Kingdom due to "unresolved convictions".

On October 14, 2009, a Brooklyn judge ordered Busta to pay a concert goer $75,000 in compensation for an assault which occurred in 2003.

Discography

''The Coming'' (1996)

''When Disaster Strikes'' (1997)

''E.L.E. (Extinction Level Event): The Final World Front'' (1998)

''Anarchy'' (2000)

''Genesis'' (2001)

''It Ain't Safe No More'' (2002)

''The Big Bang'' (2006)

''Back on My B.S.'' (2009)

''TBA '' (2011)

Awards and Nominations

Busta Rhymes has been nominated for 9 Grammy Awards during his 15 year solo career, but has yet to win one.

Grammy Awards

!Year	!Nominated work	!Award	!Result
align=center	"Woo-Hah! Got You All in Check"	Best Rap Solo Performance
align=center	"Put Your Hands Where My Eyes Could See"	Best Rap Solo Performance
align=center	"Dangerous"	Best Rap Solo Performance
align=center	"Gimme Some More"	Best Rap Solo Performance
align=center	"What's It Gonna Be?"	Best Rap Performance By a Duo or Group
align=center	''E.L.E. (Extinction Level Event): The Final World Front''	Best Rap Album
align=center	"Fire"	Best Music Video, Short Form
align=center	"Pass the Courvoisier Pt. 2"	Best Performance By a Duo or Group
align=center	"Touch It"	Best Rap Solo Performance

Busta Rhymes has been nominated for 10 MTV Video Music Awards during his 15 year solo career, but has yet to win one.

MTV Video Music Awards

!Year	!Nominated work	!Award	!Result
align=center	"Woo-Hah! Got You All in Check"	Best Breakthrough Video
align=center	"Put Your Hands Where My Eyes Could See"	Best Rap Video
align=center	"Put Your Hands Where My Eyes Could See"	Best Male Video
align=center	"Put Your Hands Where My Eyes Could See"	Best Breakthrough Video
align=center	"What's It Gonna Be?"	Best Hip-Hop Video
align=center	"Gimme Some More"	Best Breakthrough Video
align=center	"Pass the Courvoisier Pt. 2"	Best Hip-Hop Video
align=center	"I Know What You Want"	Best Hip-Hop Video
align=center	"Touch It"	Best Rap Video
align=center	"Touch It"	Best Male Video

See also

List of number-one U.S. dance hits

List of artists who reached number one on the U.S. Dance chart

References

External links

Category:1972 births Category:Living people Category:Actors from New York City Category:African American film actors Category:African American Muslims Category:African American rappers Category:Aftermath Entertainment artists Category:American people convicted of assault Category:American rappers of Jamaican descent Category:Members of the Nation of Gods and Earths Category:People from Brooklyn Category:Rappers from Long Island Category:Rappers from New York City

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